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Enchères 26 juin 2021 CONSIGNED IT PHOTOGRAPHY SUMMER AUCTION - senigallia

Enchérissez sur la liste des lots Consigned It : 26 juin 2021 - <p>CONSIGNED IT PHOTOGRAPHY SUMMER AUCTION</p><p>Saturday, 26 june, at 17 h</p><p>Exposition à Paris / Viewing in Paris: Drouot Formation, 12 rue Drouot (entrée par le 2 rue Rossini) interphone et premier étage</p><p>Jeudi 10 juin de 11h a 18h et vendredi 11 juin de 11h a 18 h renseignements et code porte : Adam 0652807370 et Mouna 0767398022</p><p>Viewing in Senigallia 16-26 June, CONSIGNED IT, 41 via Fratelli Bandiera</p> Consigned IT - senigallia

CONSIGNED IT PHOTOGRAPHY SUMMER AUCTION

samedi 26 juin 2021 - 17:00 (CEST) - Live
Via Fratelli Bandiera 41 60019 Senigallia (AN) - 60019 senigallia , Italie
Consigned It
CONSIGNED IT PHOTOGRAPHY SUMMER AUCTION
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Résultats
Résultat
126 Résultats
Lot n° 1 

Alphonse Bernoud (1820-1889)

Self portrait in the garden, 1854 Colored stereo daguerreotype (1/6 plates) original mount with printed label, glass replaced. The label mentions the medal obtained in Florence in 1854 but not yet that of Paris, 1855 of which he will be so proud, for...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 2 

Alphonse Bernoud (1820-1889)

Outdoor self-portrait, Florence, 1854 Colored stereo daguerreotype (1/6 plates) original mount with printed and manuscript label, glass replaced. Alphonse Bernoud wrote in ink on the back label his new addresses in Livorno and Florence, piazza santa Maria...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 3 

Marc Antoine Gaudin (1804-1880) and Alexis Gaudin (1816-1894)

Photographer's Booth, Florence 1854 exhibition Stereo daguerreotype (1/6 plates) original mount, glass replaced. In November 1851, Alexis Gaudin bought and saved the newspaper La Lumière. His brother Marc Antoine became its chief scientific editor. Very...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 4 

Circle of Alphonse Bernoud and Alexis Gaudin

Interior with mirror, probably Florence, c. 1854 Stereo daguerreotype (two separated1/6 plates) original mount without label, glass replaced

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 5 

Circle of Alphonse Bernoud and Alexis Gaudin

Interior with bunches of flowers and Pianoforte, prob. Florence, c. 1854 Stereo daguerreotype (two separated 1/6 plates) original mount, glass replaced The sun passing through large windows allowed this view of the interior, illuminating to the point...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 6 

French daguerreotypist

Sophie Rostopchine, comtesse de Ségur, Paris, late 1840s. Full plate daguerreotype, 220x165 mm, old frame, glass replaced. Few women had the features and appearance of the Countess, of Russian origin, raised in the Orthodox religion and then converted...

/ Estimation : Réservé aux abonnés
Lot n° 7 

Adrien Tournachon, dit Nadar jeune (1825 - 1903)

Scène de cirque, Paris, c. 1855 Albumen prints on stereo card, 79x72 mm, signature stamp “Adrien Tournachon junior” verso and title, ink, verso. Hittorff built the famous Parisian Cirque Napoleon, rue Amelot in 1852. The name was changed in Cirque d'hiver...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 8 

French stereo photographer after Antoine Watteau (1684-1721)

Blind Collector's Bluff (a mise en scene with dolls created as an hommage to Watteau), Paris, c. 1855 Salt paper prints on stereo card, 75x76 mm, varnished, inscriptions pencil, verso, strong contrast. One inscription read “Première épreuve” the other,...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 9 

French stereo photographer Interrupted reading Paris, 1860s

Pair of albumen prints, 76x73 mm each, mounted on mute stereo card board

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 10 

French stereo photographer

Taking pictures outdoor with a tripod, c. 1860 Albumen prints on stereo card, 66x64 mm, mount with colored papers for night effect. The left print shows a large accident in the negative, which could explain the rarity of this image which could not be...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 11 

French stereo photographer

Military Cobblers, c. 1859 Albumen prints on stereo card, 61-61 mm, mounted with colored papers for night effect, several tears, titled “La tente des cordonniers”. The left image is overexposed on the left side, and the right one on the right side, the...

/ Estimation : Réservé aux abonnés
Lot n° 12 

Circle of Camille Vert

Presentation of a French Flying Machine "LE POISSON VOLANT" Paris, Palais de l'Industrie, 1859 Salt paper prints on stereo card, 69x73 mm. This flying machine was invented by the engineer-mechanic Camille Vert. This aircraft had the particularity to move...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 13 

Henri Auguste Durieu dit Muriel (1829-1877)

Parisian Interior, quai Voltaire, circa 1865 Large albumen print, 367x274 mm, stamped "Photographie des Trois Empereurs" on the mount, old retouching in ink. Unusual and enigmatic photograph of an interior lit by numerous windows, which could be family...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 14 

CHARLES AUBRY (1811-1877)

Large Bouquet, 1864 Large albumen print, 475x376 mm, stamp on mount, restoration of a tear by the artist before mounting. During this year 1864, he took 140 photographs, the first of which he offered to the Imperial Prince with this dedication presenting...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 15 

Alexander von Minutoli (1806-1887) assisted by Ludwig Belitski (1830-1902)

Patterns of Glass, Examples for Craftsmen, Liegnitz, 1854 Salt paper print, 231x187, dry stamp on the print, label “48” on mount, very strong print. A composition of Count Minutoli, who was driven by the dream of creating the first virtual museum in the...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 16 

Alexander von Minutoli (1806-1887) assisted by Ludwig Belitski (1830-1902)

Terracota Bust, 1854 Salt paper print, 233x188, dry stamp on the print, label “57” on mount, strong print. Michel de Montaigne had a similar moustache but a rather different haircut

/ Estimation : Réservé aux abonnés
Lot n° 17 

EDOUARD BALDUS (1813-1889)

The Sun, decoration of the Tuileries Palace, Paris, c. 1855 Salt paper print from a paper negative, 220x220 mm, beautiful tonality. The original paper negative was sold at auction on July 13, 2014 (Etude Goxe et Belaisch, Enghien-lesbains, lot 313). The...

/ Estimation : Réservé aux abonnés
Lot n° 18 

EDOUARD BALDUS (1813-1889)

Chapiteaux, Palais du Louvre réuni aux Tuileries, Paris, c. 1855 Six salt paper prints with gold toning, from 200x215 mm to 175x180 mm, strong tonalities. The original paper negatives were sold at auction on July 13, 2014 (Etude Goxe et Belaisch, Enghien-les-bains,...

/ Estimation : Réservé aux abonnés
Lot n° 19 

Edouard Baldus (1813-1889) after Antoine-Louis Barye

La Victoire, La Paix, L'Ordre, décor du palais du Louvre, Paris, c. 1855 Three salt paper prints with various toning, c. 180x130mm (3)

/ Estimation : Réservé aux abonnés
Lot n° 20 

Edouard Baldus (1813-1889) after Antoine-Louis Barye

La Force, décor du palais des Tuileries, Paris, c. 1855 Salt paper print from paper negative, 225x185 mm with the black margins, mint condition

/ Estimation : Réservé aux abonnés
Lot n° 21 

EDOUARD BALDUS (1813-1889)

Abondances. Sculptures décoratives du Palais des Tuileries, c. 1855 Four salt paper prints with gold toning, 65x225 mm, strong contrasts (4)

/ Estimation : Réservé aux abonnés
Lot n° 22 

EDOUARD BALDUS (1813-1889)

Le combat de l'oiseau et du serpent, sculptures décoratives du Palais des Tuileries, Paris, c. 1855 Five salt paper prints with gold toning, 62x330 mm et 65x225 mm, two mounted as a panorama, strong contrasts (5)

/ Estimation : Réservé aux abonnés
Lot n° 23 

EDOUARD BALDUS (1813-1889)

Éléments décoratif des Tuileries, Paris, c. 1855 Two salt paper prints with gold toning, 280x85 mm, strong tonality. The original paper negatives were sold at auction on July 13, 2014 (Etude Goxe et Belaisch, Enghien-les-bains, lot 313). The provenance...

/ Estimation : Réservé aux abonnés
Lot n° 24 

EDOUARD BALDUS (1813-1889)

Décors du palais du Louvre réuni aux Tuileries, Paris, c. 1855 Two salt paper prints with opposite toning, 235x124 et 227x120 mm. The original paper negatives were sold at auction on July 13, 2014 (Etude Goxe et Belaisch, Enghien-les-bains, lot 313)....

/ Estimation : Réservé aux abonnés
Lot n° 25 

EDOUARD BALDUS (1813-1889)

Composition with three contrasting elements, Paris, c. 1855 Salted paper print, 229x223 mm, intense

/ Estimation : Réservé aux abonnés
Lot n° 26 

EDOUARD BALDUS (1813-1889)

Composition with table and sculpture, Paris, c. 1855 Salt paper print, 225x222 mm, interesting gold toning

/ Estimation : Réservé aux abonnés
Lot n° 27 

Charles Nègre (1820-1880)

Tiara and miters, Stone Gospels, Plaster casts of ornaments, South Porch, Chartres Cathedral, 1866-1867 Two steel heliogravures using Charles Nègre process, each image 210 x 310 cm, printed by Ch. Chardon ainé (2)

/ Estimation : Réservé aux abonnés
Lot n° 28 

Charles Nègre (1820-1880)

Euclid and Pythagoras, Chartres Cathedral, Royal Portal, 1856 Very large steel heliograph, printed caption on the margin image: 60 x 45 cm, paper sheet: 71 x 54.7 cm. The right tympanum includes a representation of the Virgin on the throne, dominating...

/ Estimation : Réservé aux abonnés
Lot n° 29 

CHARLES BOSSU DIT MARVILLE (1813-1879)

Lateral Porch, Amiens Cathedral, 1853 Salt paper print of fairly large dimensions, 350x255 mm, mounted on Blanquart-Evrard credited mount, pleasant B-E tonality

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 30 

CHARLES BOSSU DIT MARVILLE (1813-1879)

Arc de Gaillon, École des Beaux-Arts, Paris, 1852 Salt paper print of fairly large dimensions, 255x355 mm, mounted on Blanquart-Evrard credited mount, pleasant B-E tonality. The architect Duban had reused architectural and decorative elements found after...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 31 

Gustave Le Gray (1820-1884)

Le Panthéon, 1857 Albumen print, 478x400 mm, strong and harmonious tonality, collector's stamp on mount. Reproduced in the catalog raisonné (figure 146 and note 137), four prints located and cited, another example at the BNF. Provenance, in the same French...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 32 

Gustave Le Gray (1820-1884)

Pavillon Richelieu, Paris, 1857 Albumen print, 517x396 mm, old collector's stamp on mount, harmonious tonality, nice contrast. Provenance, French provincial collection since 1860s, see also Altobelli & Molins, lot 45. The example in the V&A is somewhat...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 33 

Louis Auguste Bisson (1814-1876)

Notre-Dame de Paris, mid 1850s Large albumen print, 450x350 mm, red signature stamp on mount, strong contrast. MOMA dates their print circa 1853, there is a very light print of an earlier view from the same spot at the MET

/ Estimation : Réservé aux abonnés
Lot n° 34 

Louis Auguste Bisson (1814-1876)

Escalier du chateau de Blois Very large salt paper print with gold toning, 455x347 mm, red signature stamp on mount (shortened mount blank margins), small tear on 8 mm with old conservation, strong and harmonious contrast

/ Estimation : Réservé aux abonnés
Lot n° 35 

Louis Auguste Bisson (1814-1876)

Panorama of the Alps, Chamonix, 1862 Albumen print, 230x395 mm, signature stamp and embossed stamp on mount, nice color

/ Estimation : Réservé aux abonnés
Lot n° 36 

Louis Auguste Bisson (1814-1876)

Les Drus, Alps near Chamonix, 1862 Albumen print, 375x235 mm, signature stamp and embossed stamp on mount, good contrast

/ Estimation : Réservé aux abonnés
Lot n° 37 

Robert Turnbull Macpherson (1814-1872)

Tipografia Bartelli, Perugia, 1850s Print on salt paper, matte albumen varnish, 240x420 mm, marginal discoloration not affecting the central composition.

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 38 

James Anderson (1813-1877)

Castel San Angelo, Rome, 1856 Albumen print, 230x366 mm, on blank mount, different intriguing marks in the negative, including a mark resembling a small number “6”. This early albumen was printed before the artist numbered his negative or from a variant...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 39 

James Anderson (1813-1877)

Lago di Piazza Navona carta salata albuminata, 240x180 mm, pleasant gold toning. Could it be a reflection in the water ?

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 40 

Pietro Dovizielli (1804-1885, Attr.)

Colonacce, Antico Forno Casereccio, Tempio di Minerva Roma, 1860 Large matte albumen print, 402x319 mm, mounted without margins. The “Antico Forno Casereccio” inscription is the oldest known as we can observe it already on some 1845 daguerreian plate....

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 41 

James Anderson (1813-1877)

Vault of St Peter Vestibule, Vatican City, 1850s Salt paper print with pleasant gold toning, 300x380 mm, strong contrast.

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 42 

James Anderson (1813-1877)

Gallery of Statues at the Vatican Museum, 1850s Salt paper print with pleasant gold toning, 375x301 mm, dark contrast.

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 43 

Charles Thurston Thompson (1816-1868) after Raffaello Sanzio da Urbino (1483-1520)

Raffaello's drawings in the Royal Collection, 1857. Portfolio, printed title page plus 46 salt paper prints, differents sizes mounted on folios, 620x450 mm, foxing mainly on mounts with little on the prints, nice contrast, nice tonality for about half...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 44 

James Anderson (1813-1877)

Panorama from Monte Mario, behind St Peter, c.1860 Very large albumen print, 313x521 mm, collection stamp. Remarkable view by Anderson taken in 1860 or shortly thereafter in the negative format 55x40 that he calls "stragrande" and that he used from the...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 45 

Gioacchino Altobelli (1825-1880) et Pompeo Molins (1827-1900)

Porta San Giovanni, Rome, c. 1860 Albumen print, 275x375 mm, nice contrast. Same provenance as the two images by Le Gray, lots 31,32

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 46 

Alphonse Bernoud (1820-1889)

The Count of Trapani surrounded by his gentlemen Campania, September 1859 Albumen print, 191x253 mm, long notice by the artist, ink, verso, with a date : “le 9 septembre 1859”, two small pinholes, Bernoud's “Naples” dry stamp on mount. Francesco di Borbone-Due...

Résultat : Non Communiqué / Estimation : Réservé aux abonnés
Lot n° 47 

Circle of Roberto Rives and Giorgio Sommer

Vesuvius eruption 26 April 1872, photomontage Albumen print, 248x207 mm, title in ink in French on mount : “Eruption Vésuve, 26 avril 1872”. On the classical views of Giorgio Sommer in the foreground is just a pier. The exact same negatives for the smoke...

/ Estimation : Réservé aux abonnés
Lot n° 48 

Domenico Anderson (1854-1938)

Work in progress Testaccio, Rome, c. 1920 Large tinted silver print, 421x752 mm, studio stamp on mount verso. Very large and impressive composition by the second generation of the Anderson dynasty

/ Estimation : Réservé aux abonnés
Lot n° 49 

Adolphe Braun (1812-1877) & family

Arch of Titus, Rome, c. 1868 Large carbon print, 400x500 mm, proof print with dark margins, unique mint unmounted color example.

/ Estimation : Réservé aux abonnés
Lot n° 50 

Adolphe Braun (1812-1877)

Arch of Titus, Rome, c. 1868 Large carbon print, 400x500 mm, proof print with dark margins, unique mint unmounted color example.

/ Estimation : Réservé aux abonnés