Joseph Van Bredael (1688-1739)

The most Parisian of Dutch artists, Van Dongen left high society for a moment to concentrate on two little girls.

The auction of this view of Montmartre was beset by a series of human and technological errors.

The meeting between the painter and Dr. Gachet was brief but crucial to the history of art, as this etching attests. 

In March 1886, the Dutch painter arrived in Paris, where he lived for two years. One hundred and thirty-five years later to the month, a key work from this seminal and productive period is back on the market.

Around the time of the first edition of the Paris Print Fair, the print market shows its good health with the prizes won by a collection.

A sleeping beauty has awakened in Brussels' Saint-Gilles district. Closed since 2014, the Hannon House, a showcase of Franco-Belgian Art Nouveau, is reopening as a house-museum.

He and his brother Hans, childhood friends of Beuys, amassed one of the most important collections of the German artist. The former art professor and director of the Schloss Moyland Museum, which houses their collection of more than 6,000 of Beuys' artworks and his archives, passed away on October 7 at the age of 87.

Claude-François Julliot (1727-1794) probably commissioned these two pieces of furniture stamped Joseph, which were in the Comte de Merle’s collection. They are beautiful examples of the resurgence of copper and tortoiseshell "Boulle" marquetry early in the Louis XVI period.

A work by Chu Teh-Chun stood out in a rigorous selection where abstraction triumphed.

Dran, Maye and JonOne formed the winning trio of this sale, each expressing their own take on contemporary urban art.