Giovanni Segantini (1858-1899)

The celebrated Italian artist Giovanni Paolo Panini (1691–1765) is known for his real and imaginary views of the Eternal City.

With 50-odd works, the Musée Jacquemart-André is giving visitors a chance to see and understand the art of Giovanni Bellini, the forerunner of Venetian “colore.”

A great classic dear to collectors triumphed in Biarritz, where works by Pierre Soulages and Jean-Michel Frank were up for sale.

The New York Institution is hailing the acquisition of Giovanni Battista Moroni’s Portrait of a Woman the most significant Italian Renaissance painting museum has acquired in more than half a century. The 16th-century painting was a gift from Assadour O. Tavitian, a longtime board member, who died in 2020. 

As La Gazette Drouot pointed out, this is one of the very few works by the painter of Florentine origin offered for public sale in the last fifteen years. An exclusive character that has seduced, since it has just been sold at €83,424, double its high estimate, under the hammer of Deburaux-Du Plessis.

In 1885 French artist Henri Martin discovered Venice. From this point forward the city of the Doges became a recurring theme in the painter's career, capturing its glittering colors and the majesty of its palaces.

Coming on the market for the first time, this large still life by Giovanni Battista Ruoppolo is an eloquent example of the Baroque developments explored by Neapolitan painters in the second half of the 17th century.

The museum has announced the acquisition of a Study of a Male Bust in Profile by Giovanni Battista Crespi, known as Il Cerano (1573-1632), one of the great Lombard painters of the 17th century. This pierre noire and chalk on paper work was executed during the master's youth. The Louvre has only two of his drawings. 

An important painting by Giovanni Francesco Guerrieri (1589-1655), Lot and His Daughters, sold for €475,064 at Dorotheum on June 8, setting a new world record for a work by the Italian painter. The previous record, set at €410,550 under the hammer of Porro & Cie, dates back to 15 November 2003 (Artnet). 

This double-sided triptych by Giovanni Capassini is one of the very few works by the Florentine painter to appear at auction – over the past fifteen years, they could be counted on the fingers of one hand…