Michele Pace del Campidoglio (1625-1669)

The Simone and Cino Del Duca Foundation’s distinctions are among the most generous and prestigious in the world, yet it keeps a low profile. Read more about a philanthropic organization driven by the desire to have an impact in the real world.

Part of the eminent connoisseur’s collection will be dispersed by unusual methods. Wine-lovers are in for a treat.

The photography gallery has held over 350 photography exhibitions; the merger will expand Pace’s artist roster with Harry Callahan, Robert Frank, David Goldblatt, Peter Hujar, and Richard Misrach. Pace have scheduled exhibitions on Paul Graham and Irving Penn for the coming months in New York and Geneva respectively.

Four works by Félix del Marle recall an avant-garde style—Futurism—and the early 20th century, a period of progress.

Marc Glimcher, the CEO of the powerful gallery, announced the creation of a platform dedicated exclusively to the NFTs of the artists of the gallery, in order to control the prices. It will start in September with the 84-year-old American artist of Greek origin, Lucas Samaras!

CEO Marc Glimcher has announced that he will form a "round table" composed of the gallery's ten most important directors in order to "reach a consensus on the evolution of the group". Samanthe Rubell will take over as chairman; she will be assisted by Joe Baptista, who was promoted to partner.

Curator of a forthcoming exhibition on a pivotal moment in the medium at the Pavillon populaire in Montpellier, the chairman of the Collège international de photographie has published a book on counterculture as it is expressed today.

Key works by two outstanding painters dominated this auction, but the decorative arts also made a fine showing.

This major show celebrates the one-thousandth anniversary of one of France's most visited sites. Vestiges of devotion to the archangel shine in the famous Norman abbey church.

Reading the names in the catalogue – Piet Mondrian, Mikhail Larionov, Marcel Janco, Wolfgang Paalen, Enrico Prampolini, and André Kertész, with the only photographic lot – you could say that many of the key avant-gardes of the first half of the 20th century...