Karl Schmidt-Rottluff Lot n° 29

Karl Schmidt-Rottluff, Clock pendant. Around 1913. Silver, cut, chased, two ambers, natural. Attached to cord. Wietek 393. 8.4 x 3.7 cm (3.3 x 1.4 in). Cord: 10.8 in (27.5 cm). [KT]. - Of the "Brücke" artists, Karl Schmidt-Rottluff was most intensively engaged in making jewelry. - He made his first brooches in 1910 in Dangast for the painter Emmy Ritter and for the Hamburg patron Rosa Schapire. - Schmidt-Rottluff makes the jewelry himself, making the lack of technical skill his true statement. PROVENIENCE: From the artist's estate (1976). Private property. Collection Hermann Gerlinger, Würzburg (with the collector's stamp). EXHIBITION: Karl Schmidt-Rottluff paintings: watercolors, graphic art, amber, Kunstsammlungen der Stadt Königsberg/Kunstverein Königsberg, Königsberg 1928, cat. no. 73. Karl Schmidt-Rottluff: Das nachgelassene Werk seit den 20er Jahren. Painting, Sculpture, Arts and Crafts, Brücke Museum, Berlin, Aug. 20, 1977-Jan. 15, 1978, cat. no. 151. Karl Schmidt-Rottluff: Watercolors, colored pencil drawings, jewelry, Kunstverein Paderborn 1982, cat. no. 11. Schleswig-Holstein Landesmuseum Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). The Painters of the Bridge. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 230, SHG no. 324 (m. ill.). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Only for their wives. Jewelry by Karl Schmidt-Rottluff, Emil Nolde, Erich Heckel, and Ernst Ludwig Kirchner, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), Oct. 26, 2003-Jan. 11, 2004, cat. no. 17 (m. ill.). Schmidt-Rottluff. Form, Color, Expression, Buchheim Museum, Bernried am Starnberger See, 29.9.2018-3.2.2019, p. 183 (m. ill.). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022). LITERATURE: Reallexikon zur deutschen Kunstgeschichte, ed. by the Zentralinstitut für Kunstgeschichte München, vol. II, Munich 1973, p. 299. Max von Boehn, Das Beiwerk der Mode, Munich 1928. Leopold Schmid, Geschichte und Technik des Bernsteins, in: Abhandlungen und Berichte des Deutschen Museums, Jg. 13, Heft 3, Berlin 1941. Gerhard Wietek, Karl Schmidt-Rottluff: Bilder aus Nidden, Stuttgart 1963. Gisela Reineking von Bock, Bernstein, Munich 1981. Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, pp. 230-31, SHG no. 324 (m. ill.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, p. 61, SHG no. 108 (m. ill.). Call time: 10.06.2022 - approx. 17.56 h +/- 20 min.