François-Émile Décorchemont (1880-1971)

The curator at the Château de Fontainebleau since 2016 has no shortage of plans, from restorations to exhibitions and promoting the legacy of François I.

Painted when the artist was not yet famous, this seaside subject puts people at the center of the composition.

This portrait of Claude Le Blanc (1669-1728) reveals early 18th-century customs.

A specialist in the 18th century, but curious about other eras, François Hayem is parting with the fruit of a lifetime of research and finds at Drouot.

The allure of this painting—with its hidden double meaning—is a marvellous illustration of chinoiserie in the age of Louis XV, which took delight in fantasizing about Asia.

Bronzes by great modern sculptors had a central place in this sale, where 18th-century vedutismo also took the spotlight.

Hosted by the Metropolitan Museum of Art on June 14, 6-9 pm, the in-person event sees 8 NYC museums come together to present the 44th annual edition, comprising exhibitions, musical performances and art-making activities. Participants include the Solomon R. Guggenheim Museum, The Jewish Museum and Neue Galerie New York.

The prince of Rococo will be present at Rouillac's 33rd Garden Party sale at the Château d'Artigny, in the Val-de-Loire, with a major discovery: La Petite Laitière (The Little Milkmaid), painted a year before his death.

A dainty gold mount highlights the exquisite beauty of this small soft porcelain Vincennes milk jug with a scene based on a work by François Boucher.

A very rare terracotta model with unusual iconography enables us to rediscover French sculptor François Anguier (1604-1669), a pioneer of Atticism and the revival of princely funerary monuments in the 17th century.