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The Jeanne Tachard Collection: The Choice of Modernity

Published on , by Caroline Legrand
Auction on 26 March 2022 - 14:00 (CET) - 194, chemin de Poutingon - 34070 Montpellier

Free-spirited, headstrong Jeanne Tachard ranks among the 1920s’ leading patrons. She commissioned works from French cabinetmaker and designer Pierre Legrain and was a pioneering collector of African art.

Congo, Ngombe chair, studded seat, worn patina on the seat and black lacquered patina... The Jeanne Tachard Collection: The Choice of Modernity

Congo, Ngombe chair, studded seat, worn patina on the seat and black lacquered patina on the legs, l. 60 cm/23.62 in, seat h. 22 cm/8.66 in, backrest h. 47 cm/18.50 in.
Estimate: €8,000/15,000

"Jeanne Tachard deserves serious research by art historians," says auctioneer Bertrand de Latour. No sale or book has ever focused entirely on this larger-than-life personality who left her mark on the first half of the 20 th century. The dispersion in Montpellier of 80 lots from her collection, owned by the children of her adopted son, Bernard Segond, and her nephew Frederic Johnston, offers an opportunity to discover this unconventional woman, a fashion designer who became a patron of avant-garde artists. Like French writer Colette , a close friend, she had an outstanding career that led her to professional and social success. "She was born Jeanne Poncin in 1870 into a family of very modest means in a small Jura village, where her father was a farmworker," says Mr. Johnston. She arrived in Paris around 1900 with nothing but her golden hands and a very secure sense of taste. "Jita", as her family called her, worked in sewing shops before meeting a young engineer named André Tachard, the eldest son of a member of parliament and ambassador Albert Tachard, whom she married in 1901. His parents, wealthy Protestants from Mulhouse whose families had made a fortune…
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Saturday 26 March 2022 - 14:00 (CET) - Live
194, chemin de Poutingon - 34070 Montpellier
Hôtel des Ventes Montpellier Languedoc
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