Exquisite French taste

On 01 October 2018, by Anne Doridou-Heim
Nizhny Tagil, Ural, last third of the 18th century, armed lodestone, h. incl. ring: 8.2 cm, stone size: 5.1 x 2.6 cm, total weight: 218.12 g.
Estimate: €3,000/4,000

Jacques Malatier (1926-2017) was one of those cultivated, questing spirits who still abounded in the 20th century. This intensely erudite banker, loyal to the Hôtel Drouot (where his collection is now being sold) put his talent and money into building up a top-level collection with treasures of exquisite French taste in different art specialities. As expert Éric Turquin tells us, "he started with objects and moved on to paintings."  

A love of the 18th century
Here, every meticulously thought-out purchase was designed to take its place in an ensemble dominated by the 18th century. A pastel by Joseph Vivien (1657-1734) encapsulates its guiding spirit. The artist is now seen as possessing a charm that could be delicately described as old-fashioned. But his portrait of Charles Albert, Prince-Elector of Bavaria, kissing his father's hand in a sign of submission and loyalty, executed in around 1726 on blue paper (€15,000/20,000), is imbued with a modern, mellow touch that makes it undeniably unique… and desirable. The same goes for the large majority of the 284-odd lots in the sale. Drawings by or attributed to Giorgio Vasari (including a remarkable pen drawing of a "Bacchanale" at €50,000/60,000), Pierre-Paul Sevin, Jacob Philipp Hackert and George Romney are succeeded by some equally magnificent Old Masters. Fishing, illustrated by this painting by Charles Joseph Natoire (1700-1777), estimated at €100,000/150,000, proved a judicious choice. The painting was a royal commission. In 1737, Natoire received 3,600 livres as payment for six decorated lintels intended for the petits appartements at Fontainebleau. For the small dining room, he produced two works entitled "La Pêche" (photo above) and "Personnages se reposant auprès d'une fontaine". During refurbishment work in 1749, the panelling was altered and he delivered a second version. Its spirited feel, authentic touch and pentimentos all indicate that the painting in the Malatier collection was the first version of one of these decorated lintels, now making its debut on the market.
 

Sèvres, year XIII (November 1804-November 1805), large cylindrical foot basin, hard-paste porcelain with gold decoration on blue background, h. 35.5 c
Sèvres, year XIII (November 1804-November 1805), large cylindrical foot basin, hard-paste porcelain with gold decoration on blue background, h. 35.5 cm, diam. 49.5 cm.
Estimate: €20,000/30,000


Intriguing curiosities  
While the collector had a liking for "light-hearted" subjects, several works illustrate the serious side of the 19th century, starting with an imposing Neo-classical painting by Jean-Charles Nicaise Perrin (1754-1831), very probably exhibited at the Salon of 1808: "Hector in Helen's palace, repudiating Paris for his cowardice, announcing a single combat" (€60,000/80,000). Decorative items, carved gilt wood pieces and stamped furniture by the leading exponents of the 18th century, including two "à chassis" armchairs (with removable frames) by Louis Delanois (€30,000/50,000) rub shoulders with exquisite Sèvres porcelains – including an irresistible 1766 "Roussel" pitcher with an oval bowl, decorated with cabbage leaves in a vibrant celestial blue (€20,000/25,000) – and some highly unusual objects. One of the most curious is an armed lodestone made in Russia in the last third of the 18th century (€3,000/4,000). Meanwhile, expert Claire Badillet is delighted to have handled this perfume burner by Pierre Germain, aka "le Romain", cast and chased in Paris in 1760-1761, which once belonged to the Karl Lagerfeld collection. The object is striking for its modernity, while its – reasonable – estimate of €6,000 to €7,000 is sure to appeal. Jacques Malatier was proud of his collection and loved showing it to friends and specialists. It will be sold on behalf of the Fondation de France within a Malatier-Jacquet umbrella foundation, designed to finance the restoration and layout of furnishings at the Châteaux of Versailles and Chambord. A splendid posterity.  
 

Charles Joseph Natoire (1700-1777), “La Pêche”, formerly round oil painting on canvas, cut to circular then to rectangular form, 89 x 94 cm (detail).E
Charles Joseph Natoire (1700-1777), “La Pêche”, formerly round oil painting on canvas, cut to circular then to rectangular form, 89 x 94 cm (detail).
Estimate: €100,000/150,000


 

The collection:
key figures


14
specialities  

55
Old Master drawings, 21 Old Master paintings, 95 objets d'art and furnishing items.

€200/300
is the lowest estimate, for an 18th century wooden box from St Lucia.

530 BC
is the date of the oldest object in the collection: an Attic black-figure krater (€15,000/20,000).
Wednesday 10 October 2018 - 13:30 - Live
Salle 5-6 - Drouot-Richelieu - 9, rue Drouot - 75009
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