A set of fifty-one (51) plates and one drawing:
- Max VIRROY (after), L' amoureux silence - circa 1925
- VALLON de VILLENEUVE (after), Wedding preparations
- Antoine WATTEAU (after), 2 reproductions
- Village Fete - Flanders
- Abraham BOSSE (after), The Last Moments
- Pierre Paul PRUDHON (after), L'enflammer
- Giuseppe PALIZZI (after), L'été , souvenir des Landes
- Louis DESNOYER (after), C'est sans Malice !
- Michel LAMBERT (after), Paul et Virginie retrouvés
- Michel LAMBERT (after), Paul et Virginie's change of milk
- Michel LAMBERT (after), Death of Virginie
- François BOUCHER (after), La rêveuse
- English work, Eliza Farren in Hermione - Act V
- James NORTHCOTE (after), A visit to the Grandmother
- L'amant surpris
- Pierre-Antoine BAUDOUIN (after), The Bride in Bed
- Philibert-Louis DEBUCOURT (after), The Judge or the Broken Jug
- 19th century school, Young mother and her two children
- Albert PETERS-DESTERACT (1874-1951) (after), Female nude
- Two-page prospectus for the short story "Le Rideau crimsi" by Jules-Amédée BARBEY d'AUREVILLT, with front-page illustration after Armand RASSENFOSSE (1862-1934)
- Tireur d'épine, graphite
- E. LANGLOIS, The seamstress
- Cyril Edward POWER (1872-1951), Femme au voile, signed in chalk lower left, 30.5 x 24 cm for the plate (small scratches)
- Charles Michel-ange CHALLE (1718-1778) (after), La Soubrette officieuse
- Friederich REHBERG (1758-1835) (after), Belisarius asking for alms
- Le Lion Amoureux,
- La leçon de musique
- MONVOISIN (after), Étude aux deux crayons, by JULIEN
- Bigouden reading
- Pierre Jean de BERANGER (after), The Poor Woman
- Protection
Size of plates: from 27.3 x 19.7 cm to 65.5 x 61 cm
(freckles, stains, tears, missing parts, folds)
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