Parallèle de l'architecture antique et de la moderne: avec un recueil des dix principaux autheurs qui ont écrit des cinq ordres; sçavoir, Palladio et Scamozzi, Serlio et Vignola, D. Barbaro et Cataneo, L.B. Alberti et Viola, Bullant et de Lorme, comparez entre eux (...). Paris, de l'imprimerie d'Edme Martin, 1650. In-folio de 1 frontispice, (5) ff., 109 pp., (1) f. pour l'Etymologie ou explication de quelques termes affectez particulièrement à l'architecture: veau brun, dos à nerfs orné, pièce de titre de maroquin rouge, tranches mouchetées (reliure de l' époque). Edition originale. Elle est illustrée d'un frontispice et de 40 figures gravées sur cuivre à pleine page. « Fréart's Parallèle could not be ignored by later architectural theorists. His comparative method was adopted in many later treatises, including such major works as François Blondel's Cours. It was republished four times in French and received four English editions in a translation by John Evelyn. Fréart's interest in abstract principles, universal laws, and their connection with beauty and geometry suggests neoclassical developments in the eighteenth century, as does his insistance on a set of underlying principles applicable to all the arts. Even his method of illustration, with line drawings showing abstract sections, looks forward to the illustrations of the eighteenth century » (Wilbenson & Baines, The Mark J. Millard Architectural Collection, nº 76). Reliure usagée
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