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Lot n° 19

RARE PAIR OF SMALL STELES " Bull's forebody in...

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RARE PAIR OF SMALL STELES " Bull's forebody in an architecture " Italian school, around 1800, in the taste of the antique. Large antique marble on a gilded brass base. H. 35,5 cm W. 21 cm D. 23,5 cm BOTH SCULPTURES HAVE BEEN RESTORED. For one the left ear is broken and missing. The back side is broken and restored for one as for the other. Chips on the different corners. Two fixing holes on the top. One has a spall on the left top. We knew the bulls in the capitals of columns with bulls' protuberances in the hall of the hundred hall of the hundred columns of Persepolis. It was necessary to go less far to find the inspiration: it is in Nimes in its amphitheater, built probably by Augustus, where two by Augustus, where two similar forebodies decorate the main door of the monument. (Fig. 1 and 2) References: - Émile Espérandieu, L'amphithéâtre de Nîmes, 1933, VI, the bulls of the arenas". For a long time, specialists thought that these two outbuildings had a relationship with the races of bulls. In fact, they characterize the great works of the Augustan period. Émile Espérandieu considers these two sculptures as a quasi proof of the construction of the amphitheatre by Augustus. The author reminds us that a bull appears on certain coins of Augustus (Denarius of Augustus with a bull, 21-20 B.C.) - These two saddles back to back, remind the capital of column from the Apadana of the palace of Artaxerxes II in Susa, Iran. They are decorated with two protuberant bulls leaning against each other, carrying on the neck the cedar beams of the terrace (illustrated on page 154 of the book "Les merveilles du Louvre", volume 1 published by Hachette, 1958. The interest in "the antique" of painters and sculptors from the early years of the the Empire, justifies the choice of the model that integrates the powerful the powerful animal in a double frieze architecture: flutes and water leaves. and water leaves. Despite the strength of the marble used, the precision of the of the chisel is remarkable. It was then necessary to "mount" this pair of masterpieces on a base in chased brass and gilded with frieze of water leaves.