Naim Ismail (Syrie, 1930 - 1979) Lot n° 33

Landscape Oil on canvas 65 x 40.5 cm painted in 1972 signed and dated in Arabic "Naim 72" towards the center right Considered as one of the pioneers of modern art in Syria, Naim Ismail is an emblematic figure in his own right. A contemporary and friend of great Syrian artists such as Louay Kayyali, Fateh Moudarres, Naim Ismail manages to merge traditional aspects of everyday life with abstract geometric patterns found in the textiles of his native country. The present work is a fine example of one of his genre scenes rendered with figurative forms; incorporating the patterns, geometry and visual rhythms of local textiles. All are brought together in this composition with harmonious colors that suggest depth and space with clean lines and multiple planes, giving an illusory feel in which everyday visual culture is highlighted, an approach that pays homage to the rich heritage of his country while seeking to expand its borders. Naim Ismail's paintings bear witness to scenes of daily life and have contributed to the development of an artistic movement committed to fostering a sense of national consciousness through visual culture. Ismail's practice links the past and present through representations of everyday life, using modernist sensibilities and referencing traditional design. Born in the northwestern city of Antioch, Ismail moved south when Syria was annexed by Turkey in 1939. Syria's independence from the French mandate in 1944 ushered in a prolific period for artistic production where artists experimented with many techniques, styles and subjects. After receiving formal art training in Istanbul and Rome, Ismail moved to Damascus to work as an art director for a magazine before rising to a senior position in the Ministry of Culture in the 1970s.