Mittelitalienischer Meister des 16. Jahrhunde... Lot n° 310

MARIÄ VERBUNDUNG Oil on chestnut wood. 114 x 81.5 cm. Unframed. The Annunciation scene shows Mary sitting on the right in front of a prayer desk in the traditional manner, while a young angel, who emphasizes the left half of the picture, floats up with open colored wings. In his left hand holding a lily stem with white flowers, the right forefinger points upwards, towards a cloud opening in which God the Father appears, surrounded by winged putti. Between the heads of the main figures, compositionally on a diagonal line, the white dove of the Holy Spirit. The background has a palatial perimeter with a central pillar followed by a doorway on the right, with a view of a bedroom with a canopy and a bed with, oddly enough, two pillows. On the left, a view through a round-arched loggia onto a cloudy sky. Stylistically, elements of the late Renaissance can already be seen, for example at the prayer desk. Likewise, the colourfulness, for example in the robes, but also in the glow of the clouds in the upper centre, refers to the stylistic style of Mannerism, as already prepared in the robe colours of Jacopo da Carucci Pontormo (1494-1556/57) or Giovanni Battista di Jacopo di Guasparre Rosso (1494-1540), which shine out of themselves. Opposite the shades of red, the green colour of the right velum and the turquoise green of Mary's mantle can be seen here in a complementary way. Interestingly, this colour composition is also found in the flower arrangement of the golden vase, on the floor in front of the balustrade. Only slightly vaulted. (1221809) (3) (11) School of Central Italy, 16th century ANNUNCIATION Oil on chestnut panel. 114 x 81.5 cm. Unframed. As is typical for Annunciation scenes Mary is shown sitting in front of a praying stool on the right, while a youthful angel dominates the left half of the painting approaching on colourful open wings. Stylistically, Late Renaissance eleme