Auction 20 May 2022 ESTAMPES - DRAWINGS & TABLES old & modern - DECO ART - CERAMICS - ART OBJECTS - FURNITURE - Paris

Robert COMBAS (Né en 1957)

The Yellow Man. 1990. Serigraph in colors, signed and numbered 15/100, dated. Framed. 105 x 86 cm.

JESUS RAFAEL SOTO (1923 - 2005)

Kinetic composition. c.1970. Lithograph in colors, signed lower right, annotated E.A. Frame. Subject : 61,5 x 49 cm. Sheet : 67,5 x 58 cm.

ANTONI TAPIES (1923 - 2012)

Untitled. Engraving in colors, signed lower right numbered 49/ 65. Small stain. Subject : 14 x 13,5 cm. Sheet : 22 x 29 cm.

ECOLE ITALIENNE seconde moitié du XVIe siècle.

Moses parting the waters of the Red Sea. Pen, black ink, grey wash and white highlights. Glued on sheet. Diameter : 17 cm

Ecole Française ou Italienne

Last third of the 16th century. The miracle of the true cross. The empress Helena, mother of the emperor Constantine, resurrects a dead man by placing him in front of one of the three crosses of Golgotha that she has just found. Pen, brown ink and brown...

ECOLE HOLLANDAISE première moitié du XVIIe siècle.

1 - Country landscape, at the edge of a village, crossed by a small river. Pen, brown ink and grey wash. Glued on sheet. In the lower right corner, a signature element Lie... (?). H. 10,2 - L. 15,9 cm. 2 - Country landscape, at the edge of a village with...

Ecole Italienne du XVIIe siècle.

Man in mid-body with his left hand coming out of a large coat. Pen and brown ink. Glued on sheet. (Gaps at lower right in margin and around right edge). Collection mark Reynolds (Lugt 2364) and William Mayor (Lugt 2799) ? H. 15,3 - W. 11,7 cm.

ECOLE FRANCAISE fin du XVIIe siècle.

Christ emerging from the tomb. Pen and brown ink (small tears in the margins on the right and in the upper part on the left; small holes; small accident on the upper right; stains and pitting). H. 31,2 - W. 25,3 cm.

École française du XVIIIe siècle.

Country road along a small church. Pen, black ink and grey and black wash. H. 10,5 - L. 19,5.

École française du XVIIIe siècle.

The Ascent to Calvary. Pen, brown ink and brown wash. Glued on sheet. H. 20 - L. 27 cm.

École italienne du XVIIIe siècle.

The Virgin and Child with three saints. Sanguine and estompe and small highlights of white in oval form. Glued on leaf. H. 19,5 - L. 25 cm.

SOLIMENA Francesco (attribué à)

Nocera di Pagani 1657 - Naples 1747. Jacob and Rachel at the well (Genesis 29. 9-10). Black stone, and brown wash. Glued on glass (foxing, pitting and small folds). On the reverse, annotated in pen and black ink SOLIMENE. Initialed on the reverse in pen...

VAN LOO Carl (attribué à)

Religious reading. Drawing with black stone and estompe. Glued on sheet (stains, small accidents and folds). Signed or annotated on the middle right VANL.... H. 51 - L. 40,8 cm.

ECOLE FRANCAISE dernier tiers du XVIIIe siècle.

Three scenes of the life of the gentlemen: the music lover, the gamekeeper's story and the chess game. Pen, black ink, grey, blue and black wash. Glued on cardboard. (Accidents and tears; foxing and spotting; insolate). Signed lower right. H. 53,5 - L....

ECOLE FRANCAISE dernier tiers du XVIIIe siècle.

Presumed portrait of Louis XVI, standing on a park background, wearing the plaque of the Order of the Holy Spirit. Graphite and brown wash, watermark. Glued to the sheet by the right margin (small pitting and foxing). H. 39,5 - L. 27,5 cm.

ESCHARD Charles.

Caen 1748 - 1810. The rest of the villagers. Pen, brown ink and brown wash. Framed with pen. Glued on a sheet. Signed at the top left in pen and black ink. H. 12,5 - L. 10 cm.

GIRODET-TRIOSON Anne-Louis (entourage de) 1767-1824.

Deploration on a dead couple. Black stone, pen and brown ink. On the reverse side two elements of reinforcements. (Tears at the bottom right; stains, foxing; traces of folds). On the reverse, the draft of a love letter: miss I adore you, I know how much...

PERCEVAL Nicolas (Attribué à) (1745 - 1837).

Academy of a man standing with his right arm raised. Black stone, blur and small white enhancement on bluish paper (some folds; small stains). H. 53 - L. 28 cm.

CHEZY Max (1808 - 1843)

Portrait of a woman. Lead drawing. Signed and dated lower left. H. 25,2 - L. 20,5 cm.

École française du XVIIIe siècle.

Portrait of Marie-Anne Haron d'Honneville (? - 1771), a fold in the left hand. Pastel. On the reverse side an old handwritten label recalls the identity of the model and that of her husband. H. 64 - L. 50,5 cm. Marie-Anne Haron d'Honneville was the wife...

DADDI Bernardo (Attribué à)

Florence around 1290 - id. ; 1348. Christ on the cross with the Virgin Mary, Mary Magdalene, Saint John and a holy woman. In the upper part: The Annunciation. Tempera and gold background on softwood panel. Aureoles and gold background circumference stamped...

BASSANO Jiacopo (d'après) 1515 - 1592.

The ascent to Calvary. Oil on panel. On the reverse side traces of wax stamp of collection. H.21 - L. 23,5 cm. After the composition by Jacopo Bassano kept in Venice at the Palazzo Ducale.

RUYSDAEL Jacob (école de) 1628 - 1682.

Wooded landscape with a river. Oil on panel. Oak. (Traces of horizontal joints towards the middle). H. 49 - L. 43,5 cm. Gilded frame of the 19th century with oak leaves (small missing). Provenance : On the reverse side, a round printed label (Ex Libris)...

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ACHTSCHELLING Lucas (Attribué à) 1626 - 1699.

Village near an undergrowth and characters on the way. Oil on panel. Oak. On the reverse, an old painted inventory number 67. H. 41 - L. 37,5 cm.

ECOLE BOLONAISE Milieu du XVIIe siècle.

BERNAERTS Nicasius (Ecole de) 1620 - 1678.

Dog attacking a fox skinning a bird. Oil on canvas (lining; some restorations). H. 87 - L. 102,5 cm.

ECOLE FRANCAISE, seconde moitié du XVIIIe siècle.

Portrait of a man of quality, wearing a short powdered wig and a catogan. He is wearing a jacket decorated with flowery embroidery. Oil on canvas of oval shape (lining). H. 65 - L. 54 cm.

École française du XVIIIe siècle.

Three fragments of an Adoration of the shepherds. Oil on canvas pasted on cardboard (gaps, accidents and restorations). 1 - Two shepherds, one reclining, the other with hands joined. H. 33,8 - L. 20 cm. 2 - Two kneeling loves. H. 28 - L. 35 cm. 3 - Love...

École française du XVIIIe siècle.

Diane and Endymion. Gouache on vellum pasted on wood. On the reverse side text in pen relating to the episode of Diana and in the lower part "painted by the. JEANBAPTISTE (...) Con.er du Roy (...) 1721. H. 18 - L. 14,5 cm.

ECOLE FRANÇAISE SECONDE MOITIÉ DU XVIIIE SIÈCLE.

Country landscape crossed by a river with villagers at rest. Oil on canvas (lining; small restorations in the lower right corner). H. 53,5 - W. 80,3 cm.

BOUCHER François (D'après) 1703 - 1770.

1 - Is he thinking about grapes ?. Oil on canvas. H.86,5 - L. 113,5 cm. 2- The pastoral loves. Oil on canvas (accidents on the bottom right). H. 86,5 - W. 113,5 cm. Wooden frame and gilded stucco with shells and foliage (small missing).

VIGEE-LEBRUN Louise-Elisabeth (d'après) 1755 - 1842.

Portrait of the artist by herself. Oil on canvas of oval shape (lining; some old restorations; old varnish soiled). H. 45,5 - W. 36 cm. A Louis XVI style carved wood and gilded stucco frame with oak leaves, acorns and florettes. (Small gaps and small...

DUNOUY Alexandre Hyacinthe (Attribué à)

Paris 1757 - 1841. Landscape with a herd by the river. Oil on canvas. Trace of inscription on the crossbar of the frame. H. 33 - L. 40,5 cm.

ECOLE FRANCAISE Fin du XVIIIe siècle.

Faun and Bacchante near a sleeping love in the countryside. Oil on panel. On the reverse side two vertical reinforcing bars (traces of cracks in the lower part; small gaps in the upper right; old varnish dirty). H. 19,5 - W. 29,5 cm.

ECOLE FRANCAISE, premier tiers du XIXe siècle.

River landscape with a ruined aqueduct, shepherd and his animals and villagers. Oil on canvas of origin. H.34,5 - L. 52 cm. Antique frame in wood and gilded stucco decorated with palmettes (small accidents).

STORELLI Félix Maria (Attribué à)

Turin 1778 - Paris 1854. The beggar (study of Italian costume). Oil on paper mounted on canvas. H. 27 - L. 18 cm. Provenance : The artist's descendants.

STORELLI Félix Maria Ferdinand (Attribué à)

Turin 1778 - Paris 1854. Italian watching in the rocks (study). Oil on paper; mounted on canvas. H. 29 - L. 22 cm. Provenance : Descendants of the artist

DROLLING Michel Martin (Attribué à) 1786 - 1851.

Philosopher on his palliasse, near his dog, in a farmyard. Oil on panel. Walnut. On the back an old inscription in Drolling ink. H. 17 - L. 15 cm. The deliberately destitute appearance of the philosopher, reduced to begging, and accompanied by his dog,...

TAUNAY Nicolas-Antoine (Attribué à)

Paris 1755 - id. 1830 Hermit preaching said Peter the hermit preaching the first crusade Oil on canvas of origin (on the back some pieces of reinforcement; small restoration in bottom on the left). H. 46 - W. 55 cm Related to the composition of N. A Taunay...

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GARNERAY Hippolyte (Attribué à)

Paris 1787 - 1858. Street in winter under the snow in Alsace. Oil on paper mounted on canvas. Annotated on the reverse in graphite on the frame Garneray. H. 25 - L. 17,5 cm.

DESMOULINS François Auguste.

Paris 1788 - 1857. Astronomer in his study. Oil on canvas. H. 32 - L. 40 cm. Analogy : Paris, Hôtel Drouot, Étude Beaussant - Lefèbvre 21 March 2014, n° 87 " Astronomer in a troubadour interior " (reproduced).

VERNET Horace (Ecole de) 1789 - 1863.

Rest under the tent at sunset. Oil on paper mounted on canvas. H. 15 - L. 23 cm.

GERICAULT Théodore (Entourage de) 1791 - 1824.

Portrait of a man in profile. Oil on canvas (lining; trace of vertical cut on the left). H. 52,7 - W. 42,8 cm.

COGNIET Léon (Attribué à)

Paris 1794 - id. 1880. Young Italian girl at the spring. Oil on paper mounted on canvas. H. 13 - L. 19 cm.

LEPRINCE Léopold.

Paris 1800 - Chartres 1847. Portrait of a young woman in bust on a landscape background. Oil on canvas of origin. Signed lower left Leopold Leprince. H. 33 - L. 24,5 cm. Wooden frame and gilded stucco of the 19th century with scrolls and palmettes (a...

LEPRINCE Robert Léopold (Attribué à)

Paris 1800 - Chartres 1847. Herd under the big trees. Oil on canvas of origin. Sling frame (accident and small lack in the upper left corner). H. 24,5 - W. 32,5 cm.

HUET Paul (Attribué à)

Paris 1803 - id. ; 1869. Study of a tree. Oil on paper pasted on cardboard. (Small accidents on the perimeter). H. 62 - L. 39 cm.

DAUZATS Adrien.

Bordeaux 1804 - Paris 1868. Burned mill. Oil on panel. On the back of the panel stamp of the sale Dauzats. Located at the bottom right and traces of signature and dated: Burned mill A. Dau.ts 1865. H. 17 - L. 24,5 cm. Analogies : In the studio sale of...