Gazette Drouot logo print
Gazette Drouot de la semaine
La Gazette Drouot
Subscribe
FR

Auction 16 December 2021 Old Masters Paintings - Gênes

Bid on the lot list Cambi Casa d'Aste : 16 December 2021 - <p><strong>Old Masters Paintings</strong></p><p><strong>THURSDAY 16 DECEMBER 2021</strong></p><p><strong>h 3.00 pm - Lots 1 - 241</strong></p><p><br></p><p>Asta 681</p><p><br></p><p>GENOVA</p><p>Castello Mackenzie Mura di S. Bartolomeo 16</p><p>Domenica 12 Dicembre ore 10-19</p><p>Sunday 12 December h 10 am - 7 pm</p><p>Lunedì 13 Dicembre ore 10-19</p><p>Monday 13 December h 10 am - 7 pm</p><p>Martedì 14 Dicembre ore 10-19</p><p>Tuesday 14 December h 10 am - 7 pm</p><p>Mercoledì 15 Dicembre ore 10-19</p><p>Wednesday 15 December h 10 am - 7 pm</p><p><br></p><p>Per prenotazioni <a href="mailto:genova@cambiaste.com" target="_blank">genova@cambiaste.com</a></p> Gênes - Gênes

Old Masters Paintings

Thursday 16 December 2021 - 15:00 (CET) - Live
Castello Mackenzie Castle Mura di San Bartolomeo, 16 - 16122 Gênes, Italie
Cambi Casa d'Aste
Old Masters Paintings
Pdf
result
241 results
Lot n° 1 

Albrecht Durer, La visitazione Albrecht Durer (Norimberga 1471-1528)

299 x 209 mm. Bartsch 84 (132). Xylograph. Edition with Latin text on verso. Langmaak (Amburgi) Lugt collection stamp supplement 2801. Minor restorations. Trimmed on outline border.

result : Not available / Estimate : Subscribers only
Lot n° 2 

Albrecht Durer, Orazione nell'orto (Agonia nel giardino). Albrecht Durer (Norimberga 1471-1528)

394 x 279 mm. Woodcut. Bartsch 717. Small restoration at top right. Sheet from the Great Passion of Christ series. Trimmed on the border.

result : Not available / Estimate : Subscribers only
Lot n° 3 

Albrecht Durer, Il martirio dei 10000 (1496) Albrecht Durer (Norimberga 1471-1528)

400 x 293 mm. Woodcut. Collection stamp Letters M-J in an oval (not in Lugt). Bartsch, 117 (140). No obvious restorations. Fairly fine specimen. Small margins.

result : Not available / Estimate : Subscribers only
Lot n° 4 

Dürer Albrecht, Melancolia I (1514) Albrecht Durer (Norimberga 1471-1528)

mm 240 x 188. Burin. Virgin paper. Vertical virginisation. No obvious watermark. Small restorations. Browning not disfiguring, probable old traces of glue or adhesive parts. , , S2. Probable Meder D., , With "The Original Sin", "The Horseman Death and...

result : Not available / Estimate : Subscribers only
Lot n° 5 

Alberti Cherubino, Nuda Veritas

Signed and dated along the lower margin "Cherub.s Albertus.f. Romae 1591", etching, W. 220 - H. 430 mm

result : Not available / Estimate : Subscribers only
Lot n° 6 

Pieter Van Schuppen, Ritratto di Francesco Villani (1632 circa) Pieter Van Schuppen (da Pietr Paul Rubens)

mm 415x280. Etching. Small marginal tears. Collection stamp: Royal Museum of Engraving in Stuttgart, , Presumably published by the brothers H & C. Verdussen of Antwerp, between the end of the seventeenth century and the early eighteenth century.

result : Not available / Estimate : Subscribers only
Lot n° 7 

Mantegna, Andrea, I portatori di corsaletti. (Soldati romani con trofei) Andrea Mantegna e bottega (Isola di Carturo 1431 – Mantova 1506)

226 x 260 mm. Burin. Small marginal restorations. Trimmed ol three the impression, top for cm 6 (originally mm 287 x 265). Bartsch, 018a (B.13 (236)). On the back pencil note "From Earl Barthurst Coll", , Sheet derived from the "Triumphs of Caesar" by...

result : Not available / Estimate : Subscribers only
Lot n° 8 

Rembrandt Harmenszoon van Rijn, San Girolamo nella stanza buia(1642) Rembrandt Harmenszonn van Rijn (Leida 1606-Amsterdam 1669)

mm 150x173. Etching. Remargined and counter-ground at edges. Small burn mark., References to catalogues raisonnés: George Biorklund 42-E; Hollstein, 105., , Circulation presumably contemporary., , As in other sheets by Rembrandt, light is the absolute...

result : Not available / Estimate : Subscribers only
Lot n° 9 

Rembrant, Harmenszoon van Rijn, Deposizione dalla croce Rembrandt Harmenszoon van Rijn (Leida,1606-Amsterdam,1669)

529 x 408 mm. Etching, burin and drypoint. Monumental etching by the master, slightly trimmed along the edges. Beautiful impression on virgin paper. Exemplar counterfound, where there are no visible watermarks. Obvious restorations carried out in a professional...

result : Not available / Estimate : Subscribers only
Lot n° 10 

Rembrandt Harmenszoon van Rijn, Cristo guaritore o Stampa dei cento fiorini Rembrandt Harmenszoon van Rijn (Leida,1606-Amsterdam,1669)

mm 280 x 395 (copper) mm 318 x 420 (sheet). Etching, minor restorations. Watermark Strasbourg fleur-de-lis (Erik Hinterding,HAUM 9251-R) with countermark IHS and letters ET (Erik Hinterding, 9251-L) compatible with contemporary printing runs (circa 1649).,...

result : Not available / Estimate : Subscribers only
Lot n° 11 

Rembrandt Harmenszonn van Rijn, San Girolamo nello studio (1642)

151x174 mm. Etching, burin and drypoint, State III/V. Basan edition datable to the late 1700s. Hind 202 I; New Hollstein XVIII 212; Nowell-Usticke 105

result : Not available / Estimate : Subscribers only
Lot n° 12 

Rembrandt Harmenszonn van Rijn, Gesù scaccia i mercanti dal tempio (1634)

134x164 mm. Etching, burin and drypoint, State III/VII. First Basan edition dated between 1789 and 1797. New Hollstein 139; Hind 1923, 126; White & Boon 1969, 69.

result : Not available / Estimate : Subscribers only
Lot n° 13 

Rembrandt Harmenszonn van Rijn, La madre di Rembrandt con copricapo all’orientale (1631)

mm 150x134. Etching, burin and drypoint, State II/IV. (B., Holl. 348; New Holl. 86; H. 51) Late 18th century Basan mintage

result : Not available / Estimate : Subscribers only
Lot n° 14 

Francisco Goya, Mariano Ceballos, alias El Indo, mata el toro desde du caballo Francisco Goya (Fuendetodos 1746 - Bordeaux 1828)

mm 250x350. mm 316 x 480(sheet) n. 23 top right. Harris, p.226

result : Not available / Estimate : Subscribers only
Lot n° 15 

Francisco Goya, Banderillas de fuego Francisco Goya (Fuendetodos 1746 - Bordeaux 1828)

No. 31 top right. 317 x 456 mm. 234 x 354 mm. watermark. Marginal tear. Harris, p. 234

result : Not available / Estimate : Subscribers only
Lot n° 16 

Francisco Goya, Un caballero espanol mata un toro despues de haber perdido el caballo Francisco Goya (Fuendetodos 1746 - Bordeaux 1828)

mm 349 x 447(sheet) mm 248 x 349(copper). N° 9 in the upper right corner. Dry stamp of the collection, or identification of the printing run. Two strips of paper glued to the verso (margin). Harris, pg. 212

result : Not available / Estimate : Subscribers only
Lot n° 17 

Francisco Goya, Otra locura suya en la misma plaza Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 330 x 494. (sheet) 244 x 352 mm. No. 19 top right. Watermark with writing "...ches". Harris, pg. 222

result : Not available / Estimate : Subscribers only
Lot n° 18 

Francisco Goya, La desgraciada muerte de pepe illo en la plaza de Madrid. Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 350 x 450 (sheet) mm 248 x 350. No. 33 top right. Dry stamp of collection, or identification of the print run. Harris, pg.236

result : Not available / Estimate : Subscribers only
Lot n° 19 

Francisco Goya, Le chiens laches sur le taureau Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 323 x 477 (sheet). mm 244 x 350. Letter "C" at top right. Watermark "An". Small tear to upper right corner. Harris, p. 239

result : Not available / Estimate : Subscribers only
Lot n° 20 

Francisco Goya, Carlos V lanceando un toro en la plaza de Valladolid Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

304 x 406 mm (sheet). 252 x 347 mm (copper). No. 10 at top right. Harris, pg.213

result : Not available / Estimate : Subscribers only
Lot n° 21 

Francisco Goya, El chid campeador lanceando otro toro Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

346 x 448 mm. 252 x 349 mm. No. 11 top right. Dry stamp of collection, or identification of the print run. Harris, pg. 214

result : Not available / Estimate : Subscribers only
Lot n° 22 

Francisco Goya, Capean otro encerrado Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 313 x 440. (sheet) mm 244 x 353 (copper). No number or letter at upper right as in all other engravings in the series. Watermark "M B M". Harris, pg. 207

result : Not available / Estimate : Subscribers only
Lot n° 23 

Francisco Goya, El Mismo vuelca un toro en la plaza de Madrid Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 349 x 448. mm 248 x 349. No. 16 upper right.Dry stamp of collection, or identification of print run. Harris, pg.219

result : Not available / Estimate : Subscribers only
Lot n° 24 

Francisco Goya, Otro modo de cazar a pie. Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

350 x 448 mm, 242 x 347 mm. No. 2 top right. Dry stamp of collection, or identification of the print run. Harris, pg.205

result : Not available / Estimate : Subscribers only
Lot n° 25 

Francisco Goya, Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 347 x 447 (sheet). mm 252 x 354 (copper). No. 13 top right. Dry stamp of collection, or identification of the printing run. Harris, pg. 216

result : Not available / Estimate : Subscribers only
Lot n° 26 

Francisco Goya, Palenque de los moros hecho con burros para defenderse del toro embolado Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 330 x 488 (sheet) mm 244 x 354.(copper). No. 17 top right. Watermark at top right "an". Harris, pg.220

result : Not available / Estimate : Subscribers only
Lot n° 27 

Francisco Goya, El famoso Martincho poniendo banderillas al quiebro Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

349 x 446 mm. 242 x 346 mm. No. 15 top right. Dry stamp of the collection or identification of the print run. Written in pencil on verso. Harris, p. 218

result : Not available / Estimate : Subscribers only
Lot n° 28 

Francisco Goya, Mort de Pepito illo (3° composition) Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 326 x 458 (sheet) mm 244 x 352 (copper) Letter "F" at top right. Watermark "...ches" at upper left. Harris, pg 242.

result : Not available / Estimate : Subscribers only
Lot n° 29 

Francisco Goya, Temeridad de Martincho en la Plaza de Zaragoza Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 301 x 450 (sheet) mm 244 x 355. (Copper). No. 18 top right. Watermark "M B M". Harris, pg. 221

result : Not available / Estimate : Subscribers only
Lot n° 30 

Francisco Goya, E esforzado rendon picando un toro Goya Francisco (Fuendetodos, 1746 – Bordeaux, 1828)

mm 321 x 419 (sheet) mm 247 x 354 (copper). No. 28 top right. Partially readable watermark "A". Harris, pg.231

result : Not available / Estimate : Subscribers only
Lot n° 31 

Interno della basilica di San Giovanni in Laterano Giovanni Paolo Panini (1692 Piacenza-1765 Roma), da

Watercolour engraving on paper, W. 670 - H. 421 mm

result : Not available / Estimate : Subscribers only
Lot n° 32 

Canaletto (Canal, Giovanni Antonio), Santa Giustina in Prato della Valle Giovanni Antonio Canal detto Il Canaletto (Venezia 1697-1768)

305 x 439 mm (copper). 372 x 505 mm (sheet). Fourth state, after the addition of the initials E2. Montecuccoli p.239. Probably among the first Remondini editions, printed from 1778 onwards.

result : Not available / Estimate : Subscribers only
Lot n° 33 

Sacra Famiglia con Sant'Anna e San Giovannino Scuola della fine del XVI secolo

pen and watercolour on prepared paper, W. 190 - H. 260 mm

result : Not available / Estimate : Subscribers only
Lot n° 34 

Nebbia Cesare attribuito a, Scena allegorica

pen and brown watercolour on paper, W. 195 - H. 195 mm

result : Not available / Estimate : Subscribers only
Lot n° 35 

Clovio Giulio, La deposizione di Cristo

tempera on parchment, W. 170 - H. 230 mm

result : Not available / Estimate : Subscribers only
Lot n° 36 

Castello Giovanni Battista, Madonna con Bambino e San Giovannino

in ebonized wood frame, tempera on parchment, W. 136 - H. 182 mm

result : Not available / Estimate : Subscribers only
Lot n° 37 

Episodio tratto dalla storia antica Scuola tedesca del XVI secolo

pen and brown ink on paper, W. 207 - H. 260 mm

result : Not available / Estimate : Subscribers only
Lot n° 38 

Totila si prostra dinanzi a San Benedetto Scuola emiliana del XVII secolo

On the reverse side old attribution to Ludovico Carracci, pen and brown watercolour on paper, W. 237 - H. 360 mm

result : Not available / Estimate : Subscribers only
Lot n° 39 

Carracci Annibale ambito di, Ulisse e Circe

pen, black pencil, brown watercolour and white lead on paper, W. 490 - H. 265 mm

result : Not available / Estimate : Subscribers only
Lot n° 40 

Angelo con trombe Scuola del XVIII secolo

pen and brown watercolour on paper, W. 205 - H. 155 mm

result : Not available / Estimate : Subscribers only
Lot n° 41 

Susanna e i vecchioni Scuola dell'inizio del XVIII secolo

pen and brown ink on paper, W. 110 - H. 150 mm

result : Not available / Estimate : Subscribers only
Lot n° 42 

Studio di prospetto architettonico Scuola del XVIII secolo

pen and brown watercolour on paper, W. 200 - H. 160 mm

result : Not available / Estimate : Subscribers only
Lot n° 43 

Paggi Giovanni Battista, Sacra Famiglia

Inventory number top right, pen and brown ink on paper, W. 145 - H. 195 mm, Collection Santo Varni

result : Not available / Estimate : Subscribers only
Lot n° 44 

Paggi Giovanni Battista, Frati che vegliano un confratello

Inventory number top left, pen and brown ink on paper, W. 150 - H. 110 mm, Santo Varni Collection

result : Not available / Estimate : Subscribers only
Lot n° 45 

Figura di santo con accoliti Scuola dell'inizio del XVI secolo

pen, watercolour and brown ink on paper, W. 160 - H. 232 mm

result : Not available / Estimate : Subscribers only
Lot n° 46 

Maganza Alessandro scuola di, Studio con frate francescano e il Bambino sul globo

brown ink and black pencil on paper, W. 215 - H. 380 mm, Vallardi Collection

result : Not available / Estimate : Subscribers only
Lot n° 47 

Cantarini Simone, Studio per Madonna con Bambino e San Gerolamo

red pencil on paper, W. 170 - H. 370 mm

result : Not available / Estimate : Subscribers only
Lot n° 48 

S. Luigi dei Francesi. Studi di figure e decori a grottesche Scuola francese del XVII secolo

recto/verso, red pencil on paper, W. 130 - H. 245 mm

result : Not available / Estimate : Subscribers only
Lot n° 49 

La distribuzione dei pasti Artista fiammingo operante a Genova nel XVII secolo

Bears wax seal and inscription "Ambrogio Bevilacqua" at lower left, red pencil, watercolour and white chalk on paper, W. 220 - H. 180 mm

result : Not available / Estimate : Subscribers only
Lot n° 50 

Sacra Famiglia con angelo Scuola romana della fine del XVII secolo

black and coloured pencil on paper, W. 245 - H. 190 mm

result : Not available / Estimate : Subscribers only