Jean-Baptiste Regnault (1754-1829)

The neoclassical tondo, in an online auction at Christie's, drew the Chicago museum’s attention. Sophie Regnault, the wife of artist Jean-Baptiste Regnault, drew the double portrait of Jean-François and Marie-Victoire Heurtier in 1801. Estimated at $15,000-25,000, the drawing fetched $106,250. (Tribune de l’art)

The star of a group of early paintings, Jean-Baptiste Greuze  delivers here a self-portrait free of complacency, but filled with humanity, which touched the art connoisseurs.

It is hard to tell the age of this young girl painted by Jean-Baptiste Greuze, whose face evokes both the child and the adolescent.

Appealing Old Masters were on the menu for this sale dedicated to the graphic arts, which also included minor masters of the 19th and 20th centuries.

This is the modello created by Jean-Baptiste de Champaigne (1631-1681) for the north coving of the Mercury Room ceiling in the Palace of Versailles.

Jean-Baptiste Isabey (1767-1855) designed Napoleon’s ceremonial coronation garments and painted the first portrait of the King of Rome. Who else could have been selected to design this table for the imperial family with a porcelain top?

Early painting blossomed, led by Jean-Baptiste Monnoyer (1636-1699) and Jean-Antoine Watteau (1684-1721).

A graceful drawing by Jean-Baptiste-Marie Pierre—a study for the painting of L'Enlèvement d'Europe (The Rape of Europa)—enchanted bidders.

The Bissonnet family has been maturing meat since the Second Empire and supplying the Presidential Élysée Palace since De Gaulle. They also cultivate a certain art of living, as Jean-Baptiste, head of the Boucheries Nivernaises, can testify.

This preparatory work recalls Jean-Baptiste de Champaigne’s participation in decorating the Palace of Versailles, a project entirely focused on glorifying the Sun King.