Armand-Albert Rateau (1882-1938)

Created in 1901 using the complex technique of tempera painting, this landscape of the Creuse, in central France, was one of the Impressionist painter's favorite works.

Although the painter’s saturated colors foreshadowed Fauvism, he was among the first and most loyal Impressionists, as this 1890 landscape attests.

Albert Marquet’s painting beckons us to a stunning view of Arcachon Bay from a garden at Pyla, in Southwest France

A modern art collection featuring three works by Marquet.

Bucolic landscapes by two Post-Impressionist masters, Armand Guillaumin (1841-1927) and Albert Lebourg (1849-1928), went under the hammer in Lille.

The painter’s interest in water throughout his career took him from Bordeaux to Paris, Algeria—and Normandy, as this view of Honfleur harbor attests.

A softened Fauvism and a scientific composition are what make this Norman landscape modern. 

The Huberty & Breyne Gallery will honor the famous cartoonist (1905-1976), from January 13 to February 18 in Brussels. This rare exhibition will bring together 19 plates from the family collection, out of the 40 known today - Albert Dubout having burned a large part of his work during his lifetime.

The gallery of Anne-Sophie Duval, a pioneer in the Art Deco market, is celebrating its 50th anniversary with the publication of a book. We look at a picturesque family saga.

Close to Matisse and the Fauves, Albert Marquet (1875-1947) carved himself a niche as a painter of water. While in Bordeaux, he tackled the Place des Quinconces and the Garonne in an improvisatory style.