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25 articles taggés "report"

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PAD London: a good harvest

Art Basel 2018: still in!

What does the TEFAF report reveal about how galleries work?

$63.8 M for the art market

London: future prospects

As the panic over Brexit grows ever more frenetic, two London art fairs, ArtRooms and the London Art Fair, provide a glimpse of a more positive future.…

Auction houses: the year at a glance

FIAC lifts its exhibitors’ spirits

This year looked complicated for FIAC because "intermediary" galleries are dying in France in 2018. But foreign players who were questioned after the…

TEFAF Maastricht holds its own

Despite slightly lower attendance, the 2018 edition of TEFAF Maastricht was an upbeat experience for many art dealers.

Paris Photo: a decided success

Frieze plays the star in Los Angeles

Although many a fair (like Paris Photo from 2013 to 2015) has come a cropper there, the indomitable British Frieze, with its golden touch, has now…

2019: a vintage TEFAF in Maastricht

The new TEFAF report

The new TEFAF report on the Chinese market is a curious animal… At first glance, without any apparent connection with the concerns of the European…

Kejia Wu: an art market emerging before our eyes…

The author of the latest TEFAF report, Kejia Wu, has seen the birth of the world's most important secondary market from the inside. She reveals her…

Anders Petterson, the number cruncher

He is certainly, with Clare McAndrew, the person who has done the most for the recognition of data’s importance in the art world. An analysis, as the…

Art Brussels, fair weather in the aisles

Although facing competition from Berlin Gallery weekend and, to a lesser extent, Art Monte Carlo, the Brussels Fair closed its doors on a rather cheerful…

A Fair Share in New York

With the TEFAF gaining more and more momentum and "stealing" exhibitors from Frieze, and with 1-54 putting down ever-firmer roots, other fairs are…

Masterpiece 2019: ending the season on a high note

Many exhibitors at Masterpiece, the last international fair before the summer break, are likely to go on holiday with a song in their hearts.

Unseen 2019: good vibes on the Amstel

Half-fair, half-festival, Unseen has been a favourite with new photography lovers since its inception. In 2019, how is the event viewed now that it…

Deloitte publishes 6th Art & Finance Report

At a conference in Monaco last week, Deloitte's Art & Finance group unveiled the sixth edition of its report on art as a financial asset.

Cologne Fine Art: a successful new-look edition

Under the leadership of Daniel Hug, the COFAD had a decidedly more colourful feel in this late autumn period. After fifty years, Cologne Fine Art may…

Can Taipei Dangdai compete with Art Basel on the Eastern front?

Unrest in Hong Kong benefits the new Taiwanese fair, which has strengthened its ambition and, with around 100 high-end galleries, is becoming a key…

Zona Maco: a beacon of art in Latin America

The 14 th edition of the Mexican fair took place from 5 to 9 February in the country's capital. Despite a tough economic context, high-quality exhibitors…

The Art Market 2020: a bit of a mixed bag

Despite a certain rebound, the art market has been seesawing between happy surprises and severe slumps. This is what emerges from the (fascinating)…

The Art Basel report on the impact of Covid-19

The art market is known to be particularly sensitive to the global economic and social context. Galleries are known to have suffered from the health…

Art Paris: an unexpected success

This 22 nd edition will go down as a red-letter day, when the event's weak point, in being essentially a French affair, became a strength in the context…

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