Sara Freegard, Preparatory drawing
Sara Freegard's preparatory drawing on an A3 sheet of paper in black and gray tones, expresses the project of stage costumes for Martin Gore for the Ultra World Tour in 1997. It allows the creator-director to propose the project to the musician and to obtain his agreement, in particular on the look that he will have on stage. It must correspond to the character or the genre he wants to express. The sketch is important because it is one of the material traces of the project in progress. It also allows us to approach the creation through an original point of view that combines the singer's body and the future performance in the stage space.
Preparatory drawing by Sara Freegard
This sketch by Sara Freegard on an A3 piece of sketchbook paper in black and grey tones expresses the project of Martin Gore's stage outfits for the 1997 Ultra world tour. The sketch allowed the designer-creator to present the musician with her proposal and come to an agreement with him, especially regarding what he would look like on stage. It had to correspond to the charecter or genre he wanted to express. The sketch is important because it is one of the material traces of the project in the making. It also allows us to consider creation from an original point of view that combines the signer's body and the future stage performance.
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