Alix AYMÉ (1894-1989) Lot n° 28

François with a cat in the studio, circa 1940-42 Tempera on silk, marked with the studio's sale stamp on the back 70.5 x 90 cm - 27 1/2 x 35 1/2 in. Provenance Primardeco, Toulouse, December 3, 2003, sale of Alix Aymé's workshop Private collection, South-West (acquired at the previous sale) Student of Maurice Denis, with whom she cor¬responded throughout her career, Alix Aymé conceived a passion for the Asian continent on her first trip there with her husband, when he was sent on a mission to China by the French government. She then spent over twenty years travelling in Laos, Cambodia and Vietnam. Appointed professor at the Fine Arts School of Hanoi, she contributed to the revival of lacquer work with Inguimberty. Her works reflect the style of both the Nabis (a great influence on her) and traditional Vietnamese painting, for which she developed a deep affection. Although Alix Aymé was one of the artists commissioned by the French government to promote Indochinese culture, notably at the 1931 Universal Exhibition, she also developed a studio style of painting. Inspired by the native models around her but also by the elements of her studio, she immortalised an enchanting vision of Indochina. Fillette au chat dans l’atelier (Girl with a cat in the studio) uses the characteristic elements of this place that is dear to her. The window with its transparent curtains and the pinkish quilt are thus regularly found in paintings from this period, particularly those sold recently. In this composition, Alix Aymé immortalises a peaceful moment. A young girl is sitting on the edge of the bed, waiting quietly. The cup of tea reminds us of the transience of the moment, while the sleeping cat and the carelessly left card game underline the soft - ness of the atmosphere. The joyfully coloured palette highlights the colourist talent of Alix Aymé, a pupil of the nabi Maurice Denis.