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Auction 11 February 2022 UN APPARTEMENT DE LA RUE DU CIRQUE - Gravures, Mobilier, Objets d'art, Militaria, Art Russe & Tapis - Paris

Bid on the lot list Daguerre : 11 February 2022 - Contact: Domitille de Franclieu - info@daguerre.fr 01.45.63.02.60 Salle 4 - Hôtel Drouot - Paris

UN APPARTEMENT DE LA RUE DU CIRQUE - Gravures, Mobilier, Objets d'art, Militaria, Art Russe & Tapis

Friday 11 February 2022 - 14:00 (CET) - Live

Salle 4 - Hôtel Drouot - 75009 Paris

Daguerre

UN APPARTEMENT DE LA RUE DU CIRQUE - Gravures, Mobilier, Objets d'art, Militaria, Art Russe & Tapis

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Lot n° 1

Albrecht DÜRER Samson fighting...

Albrecht DÜRER Samson fighting the lion, ca. 1496, wood, 38.5 x 27.8 cm, cut on or within the square line (Meder 107, Strauss 33), a fine proof of a late print with breaks and wormholes, remains of glue on the reverse. of sticker on the reverse.

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Lot n° 2

Agostino CARRACHE Portrait of...

Agostino CARRACHE Portrait of Titian, 1587, burin, 32.3 x 23.2 cm, cut at the copper mark (Bartsch 154, DeGrazia Bohlin 145 iv/iv), a fine late print, small stains, folds, tear at the top, small hole in the lower right corner in the lower right corner,...

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Lot n° 3

After I. SILVESTRE (Nancy 1621-Paris...

After I. SILVESTRE (Nancy 1621-Paris 1641), 18th century View and perspective of the waterfall of Frémont View and perspective of the castle of Ancy le Franc Two old engravings. 11,5 x 25 and 23,4 x 32,5 cm

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Lot n° 4

After TITIAN The Triumph of Christ,...

After TITIAN The Triumph of Christ, incomplete suite of three plates from a suite of ten, wood, 39 x 27.5 cm, good margins (Rosand and Muraro 2), beautiful proofs of a late print with breaks and wormholes, folds wormholes, folds, some tears, foxing,...

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Lot n° 5

After TITIAN Landscape with a...

After TITIAN Landscape with a milkmaid, circa 1525, woodcut attributed to Niccolo Boldrini, 37.5 x 52.5 cm, margin fillet after the square line (Rosand and Muraro 21), a fine proof of a late print with breaks and wormholes wormholes, tears, soiling,...

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Lot n° 6

After TITIAN The Six Saints, c....

After TITIAN The Six Saints, c. 1535, woodcut attributed to Niccolo Boldrini, 37.5 x 53.5 cm, margin fillet (Rosand and Muraro 35), beautiful proof of a late print with wormholes, retouched with ink, breaks, numerous tears. Attached after the same,...

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Lot n° 7

After TITIAN Cartoon of the Laocoon,...

After TITIAN Cartoon of the Laocoon, circa 1540, wood by Niccolo Boldrini, 26.3 x 39.2 cm, cut on the square line (Rosand and Muraro 40), a fine proof of a slightly late print with a horizontal break and wormholes, small flaws in the upper and lower...

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Lot n° 8

Antonio da TRENTO The Man Seen...

Antonio da TRENTO The Man Seen from Behind, woodcut after The Parmesan, 28.5 x 18 cm, cut within the square line (The Illustrated Bartsch 148.13), beautiful proof printed in black and light brown, lacking folds, tears, holes, lined, provenance: Joseph-Marius...

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Lot n° 9

Andrea ANDREANI The Abduction...

Andrea ANDREANI The Abduction of a Sabina, 1584, third plate, wood, 43.5 x 20 cm, a well-completed composition (The Illustrated Bartsch 94.3) (The Illustrated Bartsch 94.3), a fine proof printed in black and two shades of brown, numerous stains and...

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Lot n° 10

Ugo da CARPI David Cutting the...

Ugo da CARPI David Cutting the Head of Goliath, ca. 1520, wood after Raphael, 25.4 x 37.2 cm, cut slightly inside the composition on all sides within the composition on all sides (The Illustrated Bartsch 26.8 ii/iii, Rossi 22), beautiful proof printed...

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Lot n° 11

REMBRANDT The Resurrection of...

REMBRANDT The Resurrection of Lazarus, large plate, ca. 1632, etching and burin, 36.4 x 25.7 cm, cut at the copperplate, the frame complete (Bartsch-Hollstein 73 x/x, New Hollstein 113 ix/x) the copperplate mark, the frame complete (Bartsch-Hollstein...

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Lot n° 12

REMBRANDT The Synagogue, 1648,...

REMBRANDT The Synagogue, 1648, etching, 7.2 x 13.1 cm, cut at the copperplate mark (Bartsch-Hollstein 126 iii/ iii, New Hollstein 242 vi/or vii?/ix), a fine proof, late print, glued at the top.

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Lot n° 13

Ugo da CARPI The Descent from...

Ugo da CARPI The Descent from the Cross, circa 1520, wood after Raphael, 35.3 x 28.6 cm, the composition complete with with the inscription in the lower margin (The Illustrated Bartsch 43-22, Rossi 25), a fine proof printed in black and printed in...

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Lot n° 14

Niccolo VICENTINO Hercules Smothering...

Niccolo VICENTINO Hercules Smothering the Nemean Lion, c. 1540, wood 25 x 19.4 cm, cut on the square line (The Illustrated Bartsch 119.17 ii/ii), a fine proof printed in black and pale green, a late edition by Andrea Andreani, the letter partly retouched...

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Lot n° 15

Marco da RAVENNA Wounded Venus,...

Marco da RAVENNA Wounded Venus, burin after Raphael, 26.3 x 17.2 cm, cut to square (Bartsch 321), fine proof, remains of sticker on the back, unidentified collection mark. Attached from Bernadino DADDI called The Master with the dice, Ceres refusing...

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Lot n° 16

MASTER NDB The Massacre of the...

MASTER NDB The Massacre of the Innocents, 1544, wood after Raphael, 29 x 47.2 cm, cut into the composition on three sides on three sides and missing 3 cm from the right edge (The Illustrated Bartsch 33.7), a fine proof printed in black and printed...

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Lot n° 17

Étienne DUPERAC The Mausoleum...

Étienne DUPERAC The Mausoleum of Augustus, Plate 36 of the Suite of the Ruins of Rome, 1575, burin, 21.3 x 37.5 cm, small margins margins (Robert-Dumesnil VIII-36), a nice proof. Attached from René BOYVIN, Médée égorge un bélier, plate 19 from the...

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Lot n° 18

Christian Wilhelm Ernst DIETRICH A...

Christian Wilhelm Ernst DIETRICH A Seated Beggar, 1757, wood, 15 x 13 cm, small margins (Le Blanc 67), a fine proof printed in black and brown for the background. Three anonymous drawings and a set of plates by or after Michelangelo, Farinati and anonymous...

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Lot n° 19

Andrea ANDREANI The Triumph of...

Andrea ANDREANI The Triumph of Julius Caesar, incomplete suite of seven of ten plates, 1619, wood after Andrea Mantegna, 37.5 x 37.5 cm, cut at the square line or below the composition (with numbers) (The Illustrated Bartch 101.2, 3-5, 7-9), fine proofs...

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Lot n° 20

Albrecht SCHMID The carrying of...

Albrecht SCHMID The carrying of the cross Damage and missing parts. 29,3 x 154 cm

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Lot n° 21

Antonio da TRENTO Circe Drinking...

Antonio da TRENTO Circe Drinking in Front of Odysseus' Companions, wood after Raphael, 21.8 x 20 cm, cut beyond the composition composition (The Illustrated Bartsch 111.8 ii/ii), fine proof edited in black and beige by Andrea Andreani, two small wormholes...

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Lot n° 22

The Vatican Lodges after Raphael...

The Vatican Lodges after Raphael engraved by Nicolas Chaperon, 1649 Set of 54 engravings gathered in an album. 29,5 x 44 cm

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Lot n° 23

Pierre BONNARD Two Nudes (the...

Pierre BONNARD Two Nudes (the Bathers), circa 1927-1929, drypoint and roulette, 16.5 x 23 cm, margins 24 x 39 cm (Bouvet 109), fine proof on Japon paper, fold in the lower right corner, edition at about fifty proofs. Subject probably engraved for an...

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Lot n° 24

PAUL CEZANNE Guillaumin au pendu,...

PAUL CEZANNE Guillaumin au pendu, etching, 15,5 x 12 cm, margins 28 x 18 cm (Cherpin 2), a fine proof, later edition. EDOUARD VUILLARD, Portrait of Theo Van Rysselberghe, circa 1898, etching, 19,5 x 12 cm, margins 34 x 26 cm (Roger-Marx 61), nice...

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Lot n° 25

AUGUSTE RENOIR Le Chapeau épinglé,...

AUGUSTE RENOIR Le Chapeau épinglé, third plate, ca. 1894, drypoint, 11.5 x 8.5 cm, margins 33 x 25.5 cm (Delteil 8 ii/ii), a fine proof, later edition. Attached from MAURICE DENIS, Du mépris des honneurs du temps, 1897, lithograph, 15 x 14 cm, margins...

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Lot n° 26

ODILON REDON Et partout ce sont...

ODILON REDON Et partout ce sont des colonnes de basalte and Des peuples divers habitent les pays de l'océan, plates III and XXIII of the third suite La Tentation de Saint Antoine, 1896, lithograph, various sizes, margins 43,5 x 33 cm (Mellerio 136 and...

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Lot n° 27

ARISTIDE MAILLOL Eve ou Femme...

ARISTIDE MAILLOL Eve ou Femme agenouillée, un genou relevé, etching, sheet 24.5 x 31 cm (Guérin 330 i/ii, Johnson 77), a fine and rare proof with sketches and point trials, cut within the copperplate mark (notably on the sides and top), signed and dedicated...

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Lot n° 28

AFTER FELICIEN ROPS Head of an...

AFTER FELICIEN ROPS Head of an Old Antwerp Woman, aquatint or soft varnish, 35 x 29.5 cm, margins 49 x 33 cm (Exteens 1054), fine proof, strong trace of passe-partout. Also included, La Vie élégante, etching, 28 x 20 cm, margins 50 x 32 cm (E. 1059),...

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Lot n° 29

AFTER FELICIEN ROPS Cover of the...

AFTER FELICIEN ROPS Cover of the April and May 1875 issues of the Cahier d'études de la société internationale des aquafortistes, reproduction, 48 x 34 cm (Exteens 1149), beautiful proofs on blue paper, inscription form is enclosed, provenance: Léon...

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Lot n° 30

After Félicien ROPS Album du Gaulois,...

After Félicien ROPS Album du Gaulois, frontispiece, cliché Comté process, sheet 33,5 x 26 cm (Exteens 1143), nice proof on cardboard, provenance : Léon Bournisien (Lugt 3425) ; a proof from the book is attached. Also included after the same artist,...

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Lot n° 31

AFTER FELICIEN ROPS Le Timbre...

AFTER FELICIEN ROPS Le Timbre d'argent, reproduction by Yves et Barret, 30 x 22 cm, margins 42 x 31 cm (Exteens 1146), nice proof before the letter signed in red pencil, slight foxing, provenance: Maurice Bonvoisin (Lugt 3259) and Léon Bournisien (Lugt...

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Lot n° 32

Jacques VILLON Cubist Composition,...

Jacques VILLON Cubist Composition, 1927, aquatint, 49 x 34.5 cm, margins 66 x 50 cm (Ginestet & Pouillon E660), a fine proof from the Chalcographie du Louvre, dry stamp of the Chalcographie (Lugt 1695a).

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Lot n° 33

After DUBUCOURT, 19th century Promenade...

After DUBUCOURT, 19th century Promenade of the Palais-Royal garden Promenade of the Palais-Royal gallery Pair of engravings. 40 x 60 cm

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Lot n° 34

After BOILLY The Four Seasons Fading. 33...

After BOILLY The Four Seasons Fading. 33 x 24 cm

Result : Not available / Estimate : Subscribers only

Lot n° 35

FRENCH SCHOOL, first half of the...

FRENCH SCHOOL, first half of the 18th century, in the taste of REDOUTÉ Bouquet of roses Vellum. 39 x 44,5 cm

Result : Not available / Estimate : Subscribers only

Lot n° 36

Achille Etna MICHALLON (1796-1822) Piazza...

Achille Etna MICHALLON (1796-1822) Piazza della Signoria in Florence Pencil drawing. 28,5 x 24 cm

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Lot n° 37

Pierre GIRARD (1806-1872) View...

Pierre GIRARD (1806-1872) View of the Roman countryside Watercolor. Signed and dated 1865 lower left. 60 x 95 cm (24 x 24 in) Wooden frame and gilded stucco with a pediment decorated with a trophy.

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Lot n° 38

Henry MONNIER (1805-1877) Hunter...

Henry MONNIER (1805-1877) Hunter and his dogs Ink and wash. Signed and dated 1831 lower right. 40,5 x 30 cm

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Lot n° 39

Hippolyte LECOMTE (1781-1857) Hunting...

Hippolyte LECOMTE (1781-1857) Hunting scene in front of an English castle Wash Signed lower left, dated 1811. 50 x 59,5 cm Scratches

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Lot n° 40

Flemish school of the XVIIth, entourage...

Flemish school of the XVIIth, entourage of Martin PEPYN The resurrection of Lazarus Panel. Small missing parts. 53,5 x 42,5 cm Without frame.

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Lot n° 41

17th century SPANISH school Saint...

17th century SPANISH school Saint Jerome writing Pine panel. H. 33 L. 24 cm

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Lot n° 42

FLEMISH school around 1600, entourage...

FLEMISH school around 1600, entourage of Otto van VEEN Allegory of Painting "Apollo and Venus Reinforced panel. Annotated at the bottom Totum Irigoat Orbem. Old restorations. H. 66,5 L. 49,5 cm The original composition of the painting by Otto van...

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Lot n° 43

School of the XVIIth century Virgin...

School of the XVIIth century Virgin and Child Oil on canvas. 87 x 66,5 cm

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Lot n° 44

17th century FRENCH school, entourage...

17th century FRENCH school, entourage of Louise MOILLON Basket of peaches on an entablature Original canvas. Old restorations. H. 49 L. 63 cm Carved and gilded wood frame from the Louis XIV period.

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Lot n° 45

French school around 1700, follower...

French school around 1700, follower of Nicolas CHAPERON The Rest during the Flight into Egypt Original canvas. H. 99,8 L. 78 cm Without frame.

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Lot n° 47

VENICE school around 1750, entourage...

VENICE school around 1750, entourage of PIAZZETTA Studies of men's heads Canvas. Label on the reverse. Small scratches. Old restorations. H. 48,5 L. 64,5 cm Without frame.

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Lot n° 48

Attributed to Cornelis van POELENBURGH...

Attributed to Cornelis van POELENBURGH (circa 1586-1667) Swarm of putti supporting the cross Oak panel, one board. H. 18,3 W. 18 cm

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Lot n° 49

18th century FRENCH school, follower...

18th century FRENCH school, follower of François BOUCHER Allegory of Astronomy Canvas. 88 x 68 cm

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Lot n° 50

FRENCH SCHOOL of the end of the...

FRENCH SCHOOL of the end of the XVIIIth - beginning of the XIXth of the XIXth century Portrait of an officer. Canvas, signed lower right Pauthe? 92 x 73 cm Without frame.

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Lot n° 51

ITALIAN school around 1800 Portrait...

ITALIAN school around 1800 Portrait of a woman in a neoclassical interior Canvas. 92 x 72 cm

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Auction 11 February 2022 UN APPARTEMENT DE LA RUE DU CIRQUE - Gravures, Mobilier, Objets d'art, Militaria, Art Russe & Tapis - Paris

Bid on the lot list Daguerre : 11 February 2022 - <p><br></p><p><br></p><p>Contact: Domitille de Franclieu - </p><p>info@daguerre.fr </p><p>01.45.63.02.60</p><p><br></p><p><br></p> Salle 4 - Hôtel Drouot - Paris

UN APPARTEMENT DE LA RUE DU CIRQUE - Gravures, Mobilier, Objets d'art, Militaria, Art Russe & Tapis

Albrecht DÜRER Samson fighting...

Albrecht DÜRER Samson fighting the lion, ca. 1496, wood, 38.5 x 27.8 cm, cut on or within the square line (Meder 107, Strauss 33), a fine proof of a late print with breaks and wormholes, remains of glue on the reverse. of sticker on the reverse.

Agostino CARRACHE Portrait of...

Agostino CARRACHE Portrait of Titian, 1587, burin, 32.3 x 23.2 cm, cut at the copper mark (Bartsch 154, DeGrazia Bohlin 145 iv/iv), a fine late print, small stains, folds, tear at the top, small hole in the lower right corner in the lower right corner,...

After I. SILVESTRE (Nancy 1621-Paris...

After I. SILVESTRE (Nancy 1621-Paris 1641), 18th century View and perspective of the waterfall of Frémont View and perspective of the castle of Ancy le Franc Two old engravings. 11,5 x 25 and 23,4 x 32,5 cm

After TITIAN The Triumph of Christ,...

After TITIAN The Triumph of Christ, incomplete suite of three plates from a suite of ten, wood, 39 x 27.5 cm, good margins (Rosand and Muraro 2), beautiful proofs of a late print with breaks and wormholes, folds wormholes, folds, some tears, foxing,...

After TITIAN Landscape with a...

After TITIAN Landscape with a milkmaid, circa 1525, woodcut attributed to Niccolo Boldrini, 37.5 x 52.5 cm, margin fillet after the square line (Rosand and Muraro 21), a fine proof of a late print with breaks and wormholes wormholes, tears, soiling,...

After TITIAN The Six Saints, c....

After TITIAN The Six Saints, c. 1535, woodcut attributed to Niccolo Boldrini, 37.5 x 53.5 cm, margin fillet (Rosand and Muraro 35), beautiful proof of a late print with wormholes, retouched with ink, breaks, numerous tears. Attached after the same,...

After TITIAN Cartoon of the Laocoon,...

After TITIAN Cartoon of the Laocoon, circa 1540, wood by Niccolo Boldrini, 26.3 x 39.2 cm, cut on the square line (Rosand and Muraro 40), a fine proof of a slightly late print with a horizontal break and wormholes, small flaws in the upper and lower...

Antonio da TRENTO The Man Seen...

Antonio da TRENTO The Man Seen from Behind, woodcut after The Parmesan, 28.5 x 18 cm, cut within the square line (The Illustrated Bartsch 148.13), beautiful proof printed in black and light brown, lacking folds, tears, holes, lined, provenance: Joseph-Marius...

Andrea ANDREANI The Abduction...

Andrea ANDREANI The Abduction of a Sabina, 1584, third plate, wood, 43.5 x 20 cm, a well-completed composition (The Illustrated Bartsch 94.3) (The Illustrated Bartsch 94.3), a fine proof printed in black and two shades of brown, numerous stains and...

Ugo da CARPI David Cutting the...

Ugo da CARPI David Cutting the Head of Goliath, ca. 1520, wood after Raphael, 25.4 x 37.2 cm, cut slightly inside the composition on all sides within the composition on all sides (The Illustrated Bartsch 26.8 ii/iii, Rossi 22), beautiful proof printed...

REMBRANDT The Resurrection of...

REMBRANDT The Resurrection of Lazarus, large plate, ca. 1632, etching and burin, 36.4 x 25.7 cm, cut at the copperplate, the frame complete (Bartsch-Hollstein 73 x/x, New Hollstein 113 ix/x) the copperplate mark, the frame complete (Bartsch-Hollstein...

REMBRANDT The Synagogue, 1648,...

REMBRANDT The Synagogue, 1648, etching, 7.2 x 13.1 cm, cut at the copperplate mark (Bartsch-Hollstein 126 iii/ iii, New Hollstein 242 vi/or vii?/ix), a fine proof, late print, glued at the top.

Ugo da CARPI The Descent from...

Ugo da CARPI The Descent from the Cross, circa 1520, wood after Raphael, 35.3 x 28.6 cm, the composition complete with with the inscription in the lower margin (The Illustrated Bartsch 43-22, Rossi 25), a fine proof printed in black and printed in...

Niccolo VICENTINO Hercules Smothering...

Niccolo VICENTINO Hercules Smothering the Nemean Lion, c. 1540, wood 25 x 19.4 cm, cut on the square line (The Illustrated Bartsch 119.17 ii/ii), a fine proof printed in black and pale green, a late edition by Andrea Andreani, the letter partly retouched...

Marco da RAVENNA Wounded Venus,...

Marco da RAVENNA Wounded Venus, burin after Raphael, 26.3 x 17.2 cm, cut to square (Bartsch 321), fine proof, remains of sticker on the back, unidentified collection mark. Attached from Bernadino DADDI called The Master with the dice, Ceres refusing...

MASTER NDB The Massacre of the...

MASTER NDB The Massacre of the Innocents, 1544, wood after Raphael, 29 x 47.2 cm, cut into the composition on three sides on three sides and missing 3 cm from the right edge (The Illustrated Bartsch 33.7), a fine proof printed in black and printed...

Étienne DUPERAC The Mausoleum...

Étienne DUPERAC The Mausoleum of Augustus, Plate 36 of the Suite of the Ruins of Rome, 1575, burin, 21.3 x 37.5 cm, small margins margins (Robert-Dumesnil VIII-36), a nice proof. Attached from René BOYVIN, Médée égorge un bélier, plate 19 from the...

Christian Wilhelm Ernst DIETRICH A...

Christian Wilhelm Ernst DIETRICH A Seated Beggar, 1757, wood, 15 x 13 cm, small margins (Le Blanc 67), a fine proof printed in black and brown for the background. Three anonymous drawings and a set of plates by or after Michelangelo, Farinati and anonymous...

Andrea ANDREANI The Triumph of...

Andrea ANDREANI The Triumph of Julius Caesar, incomplete suite of seven of ten plates, 1619, wood after Andrea Mantegna, 37.5 x 37.5 cm, cut at the square line or below the composition (with numbers) (The Illustrated Bartch 101.2, 3-5, 7-9), fine proofs...

Albrecht SCHMID The carrying of...

Albrecht SCHMID The carrying of the cross Damage and missing parts. 29,3 x 154 cm

Antonio da TRENTO Circe Drinking...

Antonio da TRENTO Circe Drinking in Front of Odysseus' Companions, wood after Raphael, 21.8 x 20 cm, cut beyond the composition composition (The Illustrated Bartsch 111.8 ii/ii), fine proof edited in black and beige by Andrea Andreani, two small wormholes...

The Vatican Lodges after Raphael...

The Vatican Lodges after Raphael engraved by Nicolas Chaperon, 1649 Set of 54 engravings gathered in an album. 29,5 x 44 cm

Pierre BONNARD Two Nudes (the...

Pierre BONNARD Two Nudes (the Bathers), circa 1927-1929, drypoint and roulette, 16.5 x 23 cm, margins 24 x 39 cm (Bouvet 109), fine proof on Japon paper, fold in the lower right corner, edition at about fifty proofs. Subject probably engraved for an...

PAUL CEZANNE Guillaumin au pendu,...

PAUL CEZANNE Guillaumin au pendu, etching, 15,5 x 12 cm, margins 28 x 18 cm (Cherpin 2), a fine proof, later edition. EDOUARD VUILLARD, Portrait of Theo Van Rysselberghe, circa 1898, etching, 19,5 x 12 cm, margins 34 x 26 cm (Roger-Marx 61), nice...

AUGUSTE RENOIR Le Chapeau épinglé,...

AUGUSTE RENOIR Le Chapeau épinglé, third plate, ca. 1894, drypoint, 11.5 x 8.5 cm, margins 33 x 25.5 cm (Delteil 8 ii/ii), a fine proof, later edition. Attached from MAURICE DENIS, Du mépris des honneurs du temps, 1897, lithograph, 15 x 14 cm, margins...

ODILON REDON Et partout ce sont...

ODILON REDON Et partout ce sont des colonnes de basalte and Des peuples divers habitent les pays de l'océan, plates III and XXIII of the third suite La Tentation de Saint Antoine, 1896, lithograph, various sizes, margins 43,5 x 33 cm (Mellerio 136 and...

ARISTIDE MAILLOL Eve ou Femme...

ARISTIDE MAILLOL Eve ou Femme agenouillée, un genou relevé, etching, sheet 24.5 x 31 cm (Guérin 330 i/ii, Johnson 77), a fine and rare proof with sketches and point trials, cut within the copperplate mark (notably on the sides and top), signed and dedicated...

AFTER FELICIEN ROPS Head of an...

AFTER FELICIEN ROPS Head of an Old Antwerp Woman, aquatint or soft varnish, 35 x 29.5 cm, margins 49 x 33 cm (Exteens 1054), fine proof, strong trace of passe-partout. Also included, La Vie élégante, etching, 28 x 20 cm, margins 50 x 32 cm (E. 1059),...

AFTER FELICIEN ROPS Cover of the...

AFTER FELICIEN ROPS Cover of the April and May 1875 issues of the Cahier d'études de la société internationale des aquafortistes, reproduction, 48 x 34 cm (Exteens 1149), beautiful proofs on blue paper, inscription form is enclosed, provenance: Léon...

After Félicien ROPS Album du Gaulois,...

After Félicien ROPS Album du Gaulois, frontispiece, cliché Comté process, sheet 33,5 x 26 cm (Exteens 1143), nice proof on cardboard, provenance : Léon Bournisien (Lugt 3425) ; a proof from the book is attached. Also included after the same artist,...

AFTER FELICIEN ROPS Le Timbre...

AFTER FELICIEN ROPS Le Timbre d'argent, reproduction by Yves et Barret, 30 x 22 cm, margins 42 x 31 cm (Exteens 1146), nice proof before the letter signed in red pencil, slight foxing, provenance: Maurice Bonvoisin (Lugt 3259) and Léon Bournisien (Lugt...

Jacques VILLON Cubist Composition,...

Jacques VILLON Cubist Composition, 1927, aquatint, 49 x 34.5 cm, margins 66 x 50 cm (Ginestet & Pouillon E660), a fine proof from the Chalcographie du Louvre, dry stamp of the Chalcographie (Lugt 1695a).

After DUBUCOURT, 19th century Promenade...

After DUBUCOURT, 19th century Promenade of the Palais-Royal garden Promenade of the Palais-Royal gallery Pair of engravings. 40 x 60 cm

After BOILLY The Four Seasons Fading. 33...

After BOILLY The Four Seasons Fading. 33 x 24 cm

FRENCH SCHOOL, first half of the...

FRENCH SCHOOL, first half of the 18th century, in the taste of REDOUTÉ Bouquet of roses Vellum. 39 x 44,5 cm

Achille Etna MICHALLON (1796-1822) Piazza...

Achille Etna MICHALLON (1796-1822) Piazza della Signoria in Florence Pencil drawing. 28,5 x 24 cm

Pierre GIRARD (1806-1872) View...

Pierre GIRARD (1806-1872) View of the Roman countryside Watercolor. Signed and dated 1865 lower left. 60 x 95 cm (24 x 24 in) Wooden frame and gilded stucco with a pediment decorated with a trophy.

Henry MONNIER (1805-1877) Hunter...

Henry MONNIER (1805-1877) Hunter and his dogs Ink and wash. Signed and dated 1831 lower right. 40,5 x 30 cm

Hippolyte LECOMTE (1781-1857) Hunting...