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Auction 02 April 2021 ENGRAVINGS, DRAWINGS and PICTURES - MODERN PICTURES - ART AND FURNITURE OBJECTS from the 17th to the 19th century - RUGS - CARPETS - Paris

Bid on the lot list Thierry de Maigret : 02 April 2021 - GRAVURES, DESSINS et TABLEAUX ANCIENS et du XIXe siècle - TABLEAUX MODERNES - OBJETS d’ART et d’AMEUBLEMENT du XVIIe au XIXe siècle - TAPISSERIES - TAPIS 2e vacation, salles 14, lots 278 à 495Vendredi 2 avril 2021 à 14 heures EXPOSITIONS à Drouot salle 14 1er avril de 11h à 18h2 avril de 11h à 12h contact étude: Ségolène BOULARD<a href="mailto:sboulard@tdemaigret.fr" target="_blank">sboulard@tdemaigret.fr</a>01 44 83 95 20 <ul><li>Les lots 372 à 399 sont en importation temporaire et soumis à des frais de 5,5% à la charge de l'acquéreur en sus des frais de vente et du prix d'adjudication.</li></ul> Salle 14-15 - Hôtel Drouot - Paris

ENGRAVINGS, DRAWINGS and PICTURES - MODERN PICTURES - ART AND FURNITURE OBJECTS from the 17th to the 19th century - RUGS - CARPETS

Friday 02 April 2021 - 14:00 (CEST) - Live

Salle 14-15 - Hôtel Drouot - 75009 Paris

Thierry de Maigret

ENGRAVINGS, DRAWINGS and PICTURES - MODERN PICTURES - ART AND FURNITURE OBJECTS from the 17th to the 19th century - RUGS - CARPETS

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Lot n° 0

Not available

Result : Not available

Lot n° 278

Louis Albert Guillain BACLER D'ALBE (1761-1824) d'après

Les Chanteurs ambulants Etching and burin by Lameau and Misbach. Very nice proof with slight traces of folds. Small margins or copper margin. 32 x 39,5 cm

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Lot n° 279

Jacques-Firmin BEAUVARLET (1731-1797)

The Children of the Duke of Bethune After F. H. Drouais. Etching and burin. Very nice proof, small margins (Inventory BN. 62). 36,2 x 49 cm

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Lot n° 280

Jean I BERAIN (1640-1711) d'après

Fantaisie musicale, arabesque Engraved by Pierre Le Pautre. Etching and burin. Very nice proof, margins a little yellowed with some stains. Good margins. 32,2 x 26 cm

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Lot n° 281

Jean François BLONDEL (1683-1756)

Plan and geometrical elevation of the music room built on the river between the Pont Neuf and the Palais Royal on the occasion of the wedding of Madame Louise Elisabeth of France and Dom Philippe Infant of Spain. Etching. Very nice proof slightly yellowed,...

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Lot n° 282

Juste CHEVILLET (1729-1802)

The English girl touching the piano-forté Engraved after J. B. Baader. Etching and burin. Very nice proof. Some small breaks and traces of folds, tear in the upper margin, small margins. 44,6 x 33cm

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Lot n° 283

Jacques-François COURTIN (1672-1752)

La Musique, Iris accorde sa voix Engraved by J. Haussard. Etching and burin. Very nice proof slightly yellowed. Small margins (Le Blanc 18). 32 x 40 cm

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Lot n° 284

Charles EISEN (1720-1778) d'après

The Country Ball - The Country Concert Engraved by Joseph de Longueil. Etching and burin. Very good proofs, small rust stains, needle holes, small tear in the upper edge of one margin and two small misses in the margins, some traces of folds, good margins...

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Lot n° 285

Charles EISEN (1720-1778) d'après

The Amusements of Youth Engraved by Manuel-Salvador Carmona. Etching and burin. Very nice proof before the letter. A few stains, slight thinning and small losses in the good margins (Le Blanc 26). 39,5 x 27 cm

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Lot n° 286

Bernard PICART (1673-1733)

À l'Ombre des bosquets, un concert Etching and burin. Very nice proof, vertical fold in the middle, small tear in the right edge, reduced margins (Le Blanc 639). 30,2 x 51 cm

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Lot n° 287

Jean-Antoine WATTEAU (1684-1721) d'après

Pierrot debout jouant de la guitare, étude pour le Pierrot guitariste du tableau "L'Amour au Théatre italien" Woman tuning a guitar Plates 187 and 184 of the Figures of Different Characters engraved by Jean Audran. Etching. Very nice proofs of the first...

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Lot n° 288

Jean-Antoine Watteau (1684-1721)

Alliance of music and comedy Engraved by J. Moyreau. Etching and burin. Very nice proof slightly yellowed. Large margins (Dacier et Vuaflart 39). 45,7 x 33 cm

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Lot n° 289

Jean-Antoine Watteau (1684-1721)

Under a Mezzetin suit - Mezzetin Engraved by Thomassin, B. Audran. Etching and burin. Very nice proofs, the first one of the 1st state before the letter and before some works with a break on the left, tiny spots and lacks, cut with copper. The second...

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Lot n° 290

Jean-Antoine WATTEAU (1684-1721) d'après

Arabesque, harpsichord top Engraved by Caylus. Etching and burin. Very nice proof, small thinning, slight wavy folds and traces in the large margins (Dacier et Vuaflart 206). 17.8 x 45 cm

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Lot n° 291

François CHEREAU (1680-1729)

Louis Pécourt, composer of the ballets of the Royal Academy of Music and dancing master of the Duchess of Burgundy Engraved after R. Tournières. Etching and burin. Very nice proof, some soiling, stains and slight creases. Small margins. 41,5 x 29,2 ...

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Lot n° 292

Gérard DOU (1613-1675) d'après

G. Dou seen at an open window playing the violin or Self-portrait Engraved by Ingouf. Etching. Very nice pure etching proof before completion of the work, with the artists name in the point. Slight wavy folds, tiny thinning. Small margins. Attached:...

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Lot n° 293

Godfrey KNELLER (1646-1723) d'après

Nicolas Cosimo Engraved by J. Smith. Mezzotinto. Very nice proof, traces of wavy folds, some stains, small margins. 34,6 x 25,3 cm

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Lot n° 294

Henri-Simon THOMASSIN (188?-1741)

Michel Richard Delalande, Superintendent of the Music of the King and Master of the Music of the Chapel and Chamber of His Majesty After Jean-Baptiste Santerre. Etching and burin. Very nice proof, some traces of folds and stains. Small margins (Catalogue.bnf.12148)....

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Lot n° 295

IMAGERIE

Image of a brotherhood for the Chapel of Saint Julien and Saint Genest of the dance masters and instrument players ... for the city and suburbs of Paris in the year 1766 Etching and burin. Beautiful yellowed proof with numerous folds or breaks, some fractured...

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Lot n° 296

François-Auguste MOITTE (1748-1790) d'après

Poetry Music Two plates after J. B. Greuze. Etching and burin. Very nice proofs, some stains and thinning. Small margins (Le Blanc 1,2). 24,5 x 17,7 cm

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Lot n° 297

Jean-Michel MOREAU LE JEUNE (1741-1814) d'après

The Perfect Agreement Engraved by I. St. Helman. Etching and burin. Very nice proof before the letter, edges slightly yellowed, some foxing, rust stain and traces of wavy folds. Small lack in the lower left corner. Small margins on three sides, copper-cut...

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Lot n° 298

Charles EISEN (1720-1778) d'après

Concert méchanique ou Automate musical invented by R. Richard Engraved by Joseph de Longueil. Meeting of two plates. Etching and burin. Very nice proofs, one with the chandelier, the other with the chandelier removed. Slightly yellowed, some foxing....

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Lot n° 299

Jean DUPLESSIS-BERTAUX (1750-1818) d'après

Scène de Concert devant un palais Engraved by P. J. Duclos. Rare and very beautiful pure etching proof. Copper margins.

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Lot n° 300

Johann KELLERTHALER (1560-1638) attribué à

Concert de chats Etching. Nice proof cut to the square line or to the subject. Traces of folds, some breaks. Restored accident in the right edge of the subject. A proof of this subject is in the Metropolitan Museum of Art, New York. 21.3 x 32.5 cm

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Lot n° 301

Nicolas LAVREINCE (1737-1807) d'après

Le Concert agréable - La Partie de musique Two engravings by C. N. Varin and V. Langlois. Etching and burin. Very nice proofs, the first without the letter has some stains and thinning. Slight scuffing in the sky on the second. Small margins (Bocher...

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Lot n° 302

Jean-Baptiste LE PRINCE (1734-1781) d'après

The Balalaye Player With: the Various Pleasures after Booth Etching and burin by B. L. Henriquez, F. Basan. Fine proofs, the first cut before the copperplate mark with some bends, stains, accidents, reinforced edges on verso. Traces of folds and some...

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Lot n° 303

David Teniers (1610-1690) d'après

Teniers and his family Le Concert miaulique Two engravings by J. Ph. Le Bas, Pierre-François Basan. Etching and burin. Very nice proofs, small margins on the first one, margins on the back of the second one. Together 2 plates (Inventory B.N. 386, 81)....

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Lot n° 304

Jean-François de TROY (1679-1752) d'après

L'Aimable accord With : Joueuse de cistre after G. Wille. Two engravings by E. Le Tournay, G. Müller. Etching and burin. Very good proofs, some traces of wavy folds, traces of folds, depressions or marks on the surface, some breaks and stains to the...

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Lot n° 305

Jost AMMAN (1539-1591)

Hans Sachs German poet Etching after Heemeysen. A very fine proof before copper reduction and background work, median horizontal fold, slight traces of folds, tiny thinning with tiny lack at upper left. Small margins (Hollstein p. 12). 33 x 22.5 c...

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Lot n° 306

Étienne PICART (1632-1721)

Sainte Cécile, after the Dominiquin Etching and burin. Very nice proof, trace of horizontal fold, a few other traces of folds, small breaks. Good margins (Le Blanc 22). 43 x 28,5 cm

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Lot n° 307

JOHANNES SADELER I (1550-1600)

The Annunciation to the Shepherds Burin after Martin de Vos. Beautiful proof a little yellowed cut before the copperplate mark, traces of folds, some breaks, small tears in the edges, slight stains (Hollstein 181). 39,2 x 30 cm

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Lot n° 308

Christophe VAN SICHEM (1580-1638)

Clavichord player after H. Goltzius Wood engraving. Very nice proof a little worn without margins. Slight trace of horizontal folding in the middle. Small folds and tiny accidents in the upper corners. No margins. Stamp of the former collection H. Füssli...

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Lot n° 309

Cornélis VAN KITTENSTEYN (1600-1638)

Hearing after D. Hals Plate 2 of the Senses series. Burin. Very nice proof. Small pinched folds and some other traces of folds. Margins of about 0.5 cm (Hollstein 8). 22.5 x 25 cm

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Lot n° 310

Gérard de LAIRESSE (1641-1711)

La Musique, N. Visscher éditeur Etching. A very nice, slightly late proof, some folding marks, small thinning in the lower margin on the reverse. Small margins (Hollstein 84). 33,7 x 26 cm

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Lot n° 311

Jean-Baptiste de LORRAINE (1737-17??)

L'Ouyë, after Dumesnil From the series of the Five Senses. Etching and burin. Very nice proof. Tiny stains, slight folds, reduced margins (Le Blanc 10-14). 41 x 28 cm

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Lot n° 312

Giovanni Antonio CANALETTO (1697-1768) d'après

Celebration in honour of the Grand Duke and Grand Duchess of Russia in the very noble theatre in Saint Benoit on January 22, 1782 Etching and burin. Very nice proof. Pinched fold with small crack at the bottom, slight soiling, copper margins. Subject...

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Lot n° 313

Giovanni Battista PIAZZETTA (1682-1754) d'après

Flautists : Excell Sebastiano Molin... Vegliando all'ombra... Two engravings by J. Cattini and Th. Viero. Etching. Very good proofs, small tear in the lower edge of the first one, some traces of folds, good margins. 45 x 34,2 cm and 40,8 x 29 cm

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Lot n° 314

Felice POLANZANI (1700-1783)

Sala del Palazzo Reale apparata per la Festa di Ballo in Maschera, after Vincenzo Ré Plate III of "Narrazione delle solemni reali feste celebrare in Napoli...". Etching and burin. Very nice proof with a vertical fold in the middle, some other slight...

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Lot n° 315

Karl Friedrich SCHINKEL (1781-1841)

Set for "The Magic Flute" act I scene VI, engraved by Thiele From the collection "Sammlung von Theater-Dekorationen erfunden...". Aquatint with colour highlights, slightly yellowed. Some stains, folds, breaks, marks in the margin, tiny lack in the left...

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Lot n° 316

Luigi SCOTTI (XIXe siècle) d'après

Locatelli, al Nobil Uomo, professori celebri di Suono Etching. Very nice proof printed by Rainaldi. Some breaks, slight transfer of the subject to the reverse, dusting at the top. Copper margins. 56,5 x 37 cm

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Lot n° 317

Reinier VINKELES (1741-1816) et Van der MEER

Concert Hall in the Felix Meritis Society Building in Amsterdam, 1793 after Barbier and Kuypen Etching and burin. Very nice proof with the arms, before the letter. Some stains, wetness, traces of folds, rust stain. Small margins (Le Blanc 46,5). 44,5...

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Lot n° 318

Ecole Italienne du XVIIIe siècle

The horsemen's halt Pen and brown ink, grey and brown wash. 21 x 27.5 cm

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Lot n° 319

École FRANÇAISE du XVIIIe siècle, d'après Jacques ANDROUET du CERCEAU

Landscape of ruins Pen and brown ink, brown wash. Restorations, wear. 14 x 17 cm Provenance: Anonymous sale, Paris, Hôtel Drouot, 30 March 2012 (Thierry de Maigret), n°45. We can compare our drawing with the engraving in the opposite direction by Androuet...

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Lot n° 320

École FRANÇAISE vers 1700, suiveur de Claude GELLÉE dit LE LORRAIN

Rocky landscape Pen and brown ink, brown wash. Oxidations, restorations. 17,5 x 25,5 cm Provenance: Anonymous sale, Paris, Hôtel Drouot, 10 December 2005 (Lasseron et Associés), n°9.

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Lot n° 321

École HOLLANDAISE du XVIIIe siècle

Old man saving a musician from drowning or Charity Pen and brown ink, black and grey wash. Titled at the bottom of the pen Dux iter aut calum di senimine nullo quod das hoc et habes. 8,5 x 12 cm

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Lot n° 322

École HOLLANDAISE du XVIIe siècle, suiveur de Jan van GOYEN

Women and children by the sea near Scheveningen Black stone, grey wash. Monogrammed and dated lower left VG1649. 15 x 25.5 cm From a drawing by Jan van Goyen in the Rijksprentenkabinet in Amsterdam (see H-U Beck, Jan van Goyen, Amsterdam, 1972, no. 178,...

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Lot n° 323

Attribué à Juste Nathan BOUCHER (1736-1782)

Italian colonnade Italian palace staircase Pair of drawings, pen and black ink, grey and brown wash. 39,5 x 24 cm 700/1000 the pair

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Lot n° 324

École FRANÇAISE vers 1810, entourage de François Louis DEJUINNE

Painter in his studio Black stone and white highlights. 73 x 54 cm

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Lot n° 325

Joseph VERNET (Avignon 1714 - Paris 1789)

Fishermen pushing a boat Fishermen pulling a net on a river Pair of drawings, black stone. Signed upper right or left in pen J. Vernet. f. 30,5 x 47,5 cm the pair

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Lot n° 326

École HOLLANDAISE du XVIIe siècle, suiveur de Jan van GOYEN

Fishermen by a river with a mill Black stone and grey wash. Bears a monogram and a date lower left VG 1648. 10 x 12.2 cm Provenance: Anonymous sale, Paris, Hôtel Drouot, 19 October 2011 (Delorme-Collin du Bocage), n°29, reproduced.

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