Auction 16 June 2020 ENGRAVINGS, XIXth AND MODERN TABLES

Lot n° 1

Marc Antoine RAIMONDI (1480 - 1527/34)....

Marc Antoine RAIMONDI (1480 - 1527/34). The Virgin with the child and two angels after F. Francia.Burin. Very nice proof cut in copper, some stains and restorations in the corners, slightly yellowed. Double proof from the Boymans Museum in Rotterdam,...

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Lot n° 2

Lucas de LEYDE (1494 - 1533). The...

Lucas de LEYDE (1494 - 1533). The Musicians. Burin. Very nice proof cut on copper from a slightly late edition, some traces of folds, small restorations in the corners, mounting tape on the edges on the reverse (New Hollstein 155). 117 x 74 mm.

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Lot n° 3

Frans HUYS (1522 - 1562). The Lute...

Frans HUYS (1522 - 1562). The Lute Player. According to Cornélis Matsys.Burin. Very nice proof cut in copper, with the address of J. Galle. Slight wavy folds. (Hollstein 31). 28.1 x 42.2 cm.

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Lot n° 4

René BOYVIN (c.1525/c.1580/98)....

René BOYVIN (c.1525/c.1580/98). Muse playing the bass viol. According to Lucas Penni. Etching. Very nice copper cut proof (probably having been unstuck) with traces of glue and some wrinkles. (R.Dumesnil 66). 140 x 232 mm.

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Lot n° 5

Francesco TERZIO (1523 - 1591)....

Francesco TERZIO (1523 - 1591). Imperial dinner given in 1560 at the court of Emperor Maximilian. Etching. Very nice, slightly worn and late proof, cut to the subject (incomplete by a few millimetres), horizontal and vertical folds. Small mounting strip...

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Lot n° 6

Georg RÜXNER 16th. Plate from the...

Georg RÜXNER 16th. Plate from the book "Anfang, Ursprung une Herkommen des Thurniers in Teutscher Nation". 1530 Text page illustrated on the front and back with an illuminated woodcut. Very nice slightly yellowed proof, small spots, some printing folds....

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Lot n° 7

Cornélis CORT (1533 - 1578). Musica.from...

Cornélis CORT (1533 - 1578). Musica.from the Liberal Arts series after Frans Floris.Burin. Very nice proof the name of the publisher Cock and the numbers erased, slightly yellowed, upper corners glued, small thinning and slight restorations in the corners...

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Lot n° 8

Gaspard OSELLO (1536 - 1590). Apollo...

Gaspard OSELLO (1536 - 1590). Apollo on the Parnassus according to Lucas Penni. Burin. Very nice proof, some traces of folds, small accidents and slight lacks in the edges. Without margins.(Le Blanc 10; Nagler I, p. 207). 33.5 x 41.5 cm.

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Lot n° 9

Adrien COLLAERT (1560 - 1618)....

Adrien COLLAERT (1560 - 1618). L'Ouïe, plate of the series of the Senses.according to Martin de Vos. Burin. Very nice proof cut to the subject, the text underneath missing (a little trimmed compared to the copper) tiny hole, small spots. Mounting tapes...

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Lot n° 10

G. de GHEYN (attributed to). L'Ouye...

G. de GHEYN (attributed to). L'Ouye - the Harp, the Organ, the Lute ...From the Franc's printing house. Mazot, rue St Denis Paris. Burin. Very nice proof with small accidents and lacks in the upper edge, slight traces of folds. Reduced margins. (Hollstein...

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Lot n° 11

Schelte Adams BOLSWERT (1566 -...

Schelte Adams BOLSWERT (1566 - 1659). The Duo, the painter Theodore Rombouts and his wife, after Th. Rombouts. Etching and chisel. Very nice proof with vertical folds, some stains, slight missing parts, small accidents in the edges. Reduced margins (Hollstein...

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Lot n° 12

Robert BOISSARD (1570 -??). Two...

Robert BOISSARD (1570 -??). Two Musicians, board of the second series of Masquerades. Etching. Very nice copperplate print, slightly trimmed on the left edge or at the bottom, a little yellowed. Tiny missing in the top, some stains, small tear in the...

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Lot n° 13

Crispin de PASSE (1564 - 1637)....

Crispin de PASSE (1564 - 1637). Terra, from the Elements series.engraved after M. de Vos. Burin. Very nice proof, very small stains, a few folds of print, small tear in the lower edge. Good margins. (Hollstein 1353). 203 x 220 mm.

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Lot n° 14

Charles DAVID XVIIth. A seated...

Charles DAVID XVIIth. A seated man playing the guitar. Burin. Very nice slightly yellowed impression, a few freckles, small margins. (Inventory French Fonds 92); 312 x 227 mm.

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Lot n° 15

Nicolaes LAUWERS (1600- 1652)....

Nicolaes LAUWERS (1600- 1652). Saint Cecilia and three angels playing an instrument.after Gérard Seghers. Etching and chisel. Very nice proof cut to the subject with some pinched folds and stains, very little missing in the edges (Hollstein 13). 31.2...

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Lot n° 16

Wenceslas HOLLAR (1607 - 1677)....

Wenceslas HOLLAR (1607 - 1677). Concerts of angels, two plates, etching. Very beautiful proofs cut in copper. (New Hollstein 851, 857). 127 x 203 mm . 125 x 204 mm

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Lot n° 17

ANONYMOUS. Concert of animals and...

ANONYMOUS. Concert of animals and cartoon characters Etching in the taste of J. Kellerthaler. Very nice, slightly yellowed print, some stains, small tears in the edges, slight trace of folds. Good margins. 22.5 x 24 cm.

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Lot n° 18

Johannes Van VLIET (1610 - 1668)....

Johannes Van VLIET (1610 - 1668). L'Oüie (concert), part of the Five Senses series, etching. Very nice proof, old trace of horizontal folding, tiny stains. About 5 mm margin (Hollstein 28 II/II) 240 x 200 mm.

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Lot n° 19

Jean LE PAUTRE (1618 - 1682). Coronation...

Jean LE PAUTRE (1618 - 1682). Coronation of Louis XIV in Rheims: the king under the canopy holding the sceptre and the hand of justice. A series of 3 large boards. Etching and chisel. Very nice slightly yellowed proof cut to the subject (without the...

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Lot n° 20

Jean BERAIN (1640 - 1711) after....

Jean BERAIN (1640 - 1711) after. Clothes of Andimion from the Ballet of the Triumph of Love - Clothes of the Nymphs ... from the Ballet of the Triumph of Love. Two pendants engraved by Dolivar, addressed to Le Pautre or E.Gantret. Etching and burin, beautiful...

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Lot n° 21

John SMITH (1652 - 1742). Arabella...

John SMITH (1652 - 1742). Arabella Hunt according to G. Kneller. Mezzotinto. Very nice proof before the letter glued by the upper corners, tiny stains. Some surface rubbing. Small margins. (Catalogue BN, "Ars Nigra" exhibition, p. 66). 35 x 25, 1 c...

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Lot n° 22

Matthÿs POOL (1670 - 1732). The...

Matthÿs POOL (1670 - 1732). The Daily Fashion of balaine skirts ...Etching, burin. Very nice proof, trace of vertical median fold and slight traces of folds, small stitches, freckles. Small margins added.48.3 x 56 cm.

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Lot n° 23

Antoine WATTEAU (1684 - 1721) after....

Antoine WATTEAU (1684 - 1721) after. Le Concert Champêtre.engraved by Benoit II Audran. Etching and burin. Very nice proof cut under Chéreau's address and re-margined, slight thinning, small pricking. (Dacier and Vuaflart 72. 44.2 x 33.5 cm.

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Lot n° 24

Jean DAULLE (1703 - 1763). This...

Jean DAULLE (1703 - 1763). This simple and naive travelling concert performance was engraved with etching by Dumont le Romain, finished with a burin by J. Daullé.Very nice proof, light stains, small margins (Inventory Fonds Français, Daullé, 34). 38.5...

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Lot n° 25

Gilles DEMARTEAU (1722 - 1776)....

Gilles DEMARTEAU (1722 - 1776). Large head of woman, N° 648.according to M. Vincent. Engraving in the manner of drawing, printing with three pencils. Very nice proof cut in copper with the marks. Horizontal median fold, some traces of folds, slight tears...

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Lot n° 26

Charles-Joseph FLIPART(1721 - 1797)....

Charles-Joseph FLIPART(1721 - 1797). The Dance Lesson - the Concert of Music.Two plates from the series of Scenes from Venetian Life after Longhi.etching, burin. Very nice proofs, small freckles or spots, old trace of horizontal middle fold. Small margins...

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Lot n° 27

Jean - Claude RICHARD de SAINT-NON...

Jean - Claude RICHARD de SAINT-NON (1727 - 1791). An amateur concert.engraved after Gravelot. Etching, very nice proof, very slightly yellowed. A few pricks, small margins (G. 20). 27.5 x 20, 7 cm.

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Lot n° 28

Augustin de SAINT AUBIN (1736 -...

Augustin de SAINT AUBIN (1736 - 1807) according to. L' Assemblée au concert.Engraved by A.J. Duclos. Etching and burin. Very nice proof before the letter. Slight handling folds, very small accidents in the edges, copper margin (cut before the plate) (Bocher...

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Lot n° 29

Philibert - Louis DEBUCOURT (1755...

Philibert - Louis DEBUCOURT (1755 - 1832). The Piper. According to Carle Vernet. Aquatint with color highlights. Very nice proof very slightly yellowed at the opening of a passe-partout. Some traces of folds, tiny stains. Good margins (Fenaille 414 );...

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Lot n° 30

Antoine Louis BARYE (1796 - 1875);...

Antoine Louis BARYE (1796 - 1875); Study of cats. 1836. Lithography. Very nice proof with the name of Lemercier. Restored tear in the left margin, slight thinning and small traces of folds. Good margins. (Delteil 8, III/III). 14.3 x 22 cm.

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Lot n° 31

Rodolphe BRESDIN (1822 - 1885)....

Rodolphe BRESDIN (1822 - 1885). The Comedy of Death. 1854; Lithograph on white China applied on vellum. Very nice proof of the first edition with the name of the artist, the date, the title, the name of the printer and the address rue St Rome 50 in Toulouse....

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Lot n° 32

Honoré DAUMIER (1808 - 1879). Souvenir...

Honoré DAUMIER (1808 - 1879). Souvenir of the great festival of the Orphéonistes, pl.1. 1859. Lithograph on thin vellum. Very nice proof with the mention "certificate of edition" signed by Destouches, 1859. Slightly yellowed, some traces of folds, small...

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Lot n° 33

Henri FANTIN -LATOUR (1836 - 1904)....

Henri FANTIN -LATOUR (1836 - 1904). Evocation of Erda (1st plate). Lithograph on china bistre applied on vellum. Very nice proof signed and dedicated " to Mr Ernest Chausson ". Small freckles, slight traces of folds. Good margins. (Hédiard 20) 28.8 x...

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Lot n° 34

Camille PISSARRO (1830-1903). Beggar...

Camille PISSARRO (1830-1903). Beggar on crutch. 1897. Lithography on applied china. Very beautiful and very rare proof numbered 1, from an edition of only a few copies. Slight scattered freckles, a few small folds. Good margins. (Delteil II/ II). 25.2...

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Lot n° 35

Mario FORTUNY (1871 - 1949). Lover...

Mario FORTUNY (1871 - 1949). Lover of gardens. Etching. Very nice proof on china before the letter, slightly yellowed. Small margins. 27,3 x 21,5 cm. (Béraldi 11)

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Lot n° 36

Raoul DUFY (1877 - 1953). Meeting...

Raoul DUFY (1877 - 1953). Meeting of 20 December 1919 (in the café). Lithograph on vellum, numbered 2/ 10, date and signature in the plate. Traces of folds, good margins. 28 x 46 cm.

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Lot n° 37

Walter Richard SICKERT (1860 -...

Walter Richard SICKERT (1860 - 1942). The Old Fiedler. c.1922. Etching. Very nice signed proof. Traces of passe-partout on the good margins, a little yellowed, some slight traces of folds. Mounting strip on verso (Bromberg 202) 30.2 x 24.5 cm. Sheet:...

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Lot n° 38

Henri MATISSE (1869 - 1954). Worldly...

Henri MATISSE (1869 - 1954). Worldly Cortot. 1926 Lithograph on Japan with the monogram in the plate. Very nice proof signed and dedicated numbered 14/50. Slight traces of folds and breaks, tiny stains. (M.Duthuit - Matisse, Cl. Duthuit 476). 38,5 x...

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Lot n° 39

Henri MATISSE (1869 - 1954). Painful...

Henri MATISSE (1869 - 1954). Painful cortot. 1926 Lithography on Japan. Very nice proof signed and dedicated numbered 21/50. Slight traces of folds and breaks, tiny stains. (M.Duthuit - Matisse , Cl. Duthuit 477). 42,5 x 41cm. Leaflet: 45 x 56 cm.

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Lot n° 40

Pablo PICASSO (1881 - 1973). Minotaur...

Pablo PICASSO (1881 - 1973). Minotaur and woman embracing behind a curtain.91 of the Vollard suite. Etching on small Montval laid paper with Picasso watermark, edition at 260 copies. Tiny thinnings. (Bloch 199. Baer 367Bd). 19.2 x 26, 7 cm. Sheet :...

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Lot n° 41

Louis MARCOUSSIS (1883 - 1941)....

Louis MARCOUSSIS (1883 - 1941). Arthur Rubinstein. 1936 Chisel. Proof of final state with signature and date in the plate. Small freckles, a few folds, edges a little yellowed. (S.Milet, 171). 39.7 x 29, 5 cm. 52.5 39 cm.

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Lot n° 42

Claude GELLEE (1600 - 1682). Time,...

Claude GELLEE (1600 - 1682). Time, Apollo and the seasons. Etching. Slightly yellowed print, copper mark visible on three sides, irregularly cut at the bottom, edges stretched . Minimal surface removal at the top. Frame. (Manocci 43 appears VB/VII before...

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Lot n° 43

Giovanni - Battista PIRANESI (1720...

Giovanni - Battista PIRANESI (1720 - 1778). Parte dell' antica Via Appia ... plate of the series of the Roman Antichita. Etching. Very nice proof in Parisian print (early 19th century). Some slight folds and stains, good margins. Frame. 13.3 x 27, 2 cm....

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Lot n° 44

Camille COROT (1796 - 1875). Le...

Camille COROT (1796 - 1875). Le Repos des philosophes. 1871. Autograph on china applied on vellum before Lemercier's number and address. Slightly yellowed with traces of passe- partout on the good stretched margins, point holes, needle hole in the vellum...

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Lot n° 45

Camille COROT (1796 - 1875). Souvenir...

Camille COROT (1796 - 1875). Souvenir from Italy. Autograph on china applied on vellum. Before Lemercier's number and address. Slightly yellowed, a few wavy folds, point holes in the edge of the good margins stretched in the top and bottom. Frame. (Delteil...

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Lot n° 46

Camille COROT (1796 - 1875). The...

Camille COROT (1796 - 1875). The cow's dormoir. 1871 Autograph on china appliqué. Proof before Lemercier's number and address, slight trace of passe-partout on the good stretched margins, a few point holes. Frame. (Delteil 26 ). 16 x 13, 2 cm Sheet:...

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Lot n° 47

Eugène DELACROIX (1798 - 1863)....

Eugène DELACROIX (1798 - 1863). Hamlet contemplating the skull of Yorick. Hamlet Act V, scene 1. Lithography on china applied on vellum. Proof of the final state with the letter slightly yellowed. Scattered small freckles. Good margins. (Delteil 75)....

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Lot n° 48

Eugène DELACROIX (1798 - 1863)....

Eugène DELACROIX (1798 - 1863). Tiger lying in the desert. Etching. Print on vellum with the name Picot in the lower right corner. Slight freckles, remnants of mounting on the reverse. Good margins. Frame. (Delteil 24, IV/V). 9.5 x 13.5 cm. Leaflet: 25...

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Lot n° 49

Eugène DELACROIX (1798 - 1863)....

Eugène DELACROIX (1798 - 1863). Arabs of Oran. Etching on vergé with the title below, finished. Very slightly yellowed. Good margins stretched by one of mounting tape on the reverse. Frame. (Delteil 20, II/VI) subject dim: 14.4 x 19 . Copper : 17,5 x...

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Lot n° 50

Johan -Barthold JONGKIND (1819...

Johan -Barthold JONGKIND (1819 - 1891). The towpath. Plank of the six Eaux-Fortes notebook. Water -forte sur vergé with the address of the printer Delâtre. Slightly yellowed with a slight trace of passe - everywhere on the good margins stretched up and...

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Auction 16 June 2020 ENGRAVINGS, XIXth AND MODERN TABLES - Paris

Bid on the lot list Thierry de Maigret : 16 June 2020 - GRAVURES, TABLEAUX XIXème ET MODERNES Salle 10 - Hôtel Drouot - Paris

ENGRAVINGS, XIXth AND MODERN TABLES

Marc Antoine RAIMONDI (1480 - 1527/34)....

Marc Antoine RAIMONDI (1480 - 1527/34). The Virgin with the child and two angels after F. Francia.Burin. Very nice proof cut in copper, some stains and restorations in the corners, slightly yellowed. Double proof from the Boymans Museum in Rotterdam,...

Lucas de LEYDE (1494 - 1533). The...

Lucas de LEYDE (1494 - 1533). The Musicians. Burin. Very nice proof cut on copper from a slightly late edition, some traces of folds, small restorations in the corners, mounting tape on the edges on the reverse (New Hollstein 155). 117 x 74 mm.

Frans HUYS (1522 - 1562). The Lute...

Frans HUYS (1522 - 1562). The Lute Player. According to Cornélis Matsys.Burin. Very nice proof cut in copper, with the address of J. Galle. Slight wavy folds. (Hollstein 31). 28.1 x 42.2 cm.

René BOYVIN (c.1525/c.1580/98)....

René BOYVIN (c.1525/c.1580/98). Muse playing the bass viol. According to Lucas Penni. Etching. Very nice copper cut proof (probably having been unstuck) with traces of glue and some wrinkles. (R.Dumesnil 66). 140 x 232 mm.

Francesco TERZIO (1523 - 1591)....

Francesco TERZIO (1523 - 1591). Imperial dinner given in 1560 at the court of Emperor Maximilian. Etching. Very nice, slightly worn and late proof, cut to the subject (incomplete by a few millimetres), horizontal and vertical folds. Small mounting strip...

Georg RÜXNER 16th. Plate from the...

Georg RÜXNER 16th. Plate from the book "Anfang, Ursprung une Herkommen des Thurniers in Teutscher Nation". 1530 Text page illustrated on the front and back with an illuminated woodcut. Very nice slightly yellowed proof, small spots, some printing folds....

Cornélis CORT (1533 - 1578). Musica.from...

Cornélis CORT (1533 - 1578). Musica.from the Liberal Arts series after Frans Floris.Burin. Very nice proof the name of the publisher Cock and the numbers erased, slightly yellowed, upper corners glued, small thinning and slight restorations in the corners...

Gaspard OSELLO (1536 - 1590). Apollo...

Gaspard OSELLO (1536 - 1590). Apollo on the Parnassus according to Lucas Penni. Burin. Very nice proof, some traces of folds, small accidents and slight lacks in the edges. Without margins.(Le Blanc 10; Nagler I, p. 207). 33.5 x 41.5 cm.

Adrien COLLAERT (1560 - 1618)....

Adrien COLLAERT (1560 - 1618). L'Ouïe, plate of the series of the Senses.according to Martin de Vos. Burin. Very nice proof cut to the subject, the text underneath missing (a little trimmed compared to the copper) tiny hole, small spots. Mounting tapes...

G. de GHEYN (attributed to). L'Ouye...

G. de GHEYN (attributed to). L'Ouye - the Harp, the Organ, the Lute ...From the Franc's printing house. Mazot, rue St Denis Paris. Burin. Very nice proof with small accidents and lacks in the upper edge, slight traces of folds. Reduced margins. (Hollstein...

Schelte Adams BOLSWERT (1566 -...

Schelte Adams BOLSWERT (1566 - 1659). The Duo, the painter Theodore Rombouts and his wife, after Th. Rombouts. Etching and chisel. Very nice proof with vertical folds, some stains, slight missing parts, small accidents in the edges. Reduced margins (Hollstein...

Robert BOISSARD (1570 -??). Two...

Robert BOISSARD (1570 -??). Two Musicians, board of the second series of Masquerades. Etching. Very nice copperplate print, slightly trimmed on the left edge or at the bottom, a little yellowed. Tiny missing in the top, some stains, small tear in the...

Crispin de PASSE (1564 - 1637)....

Crispin de PASSE (1564 - 1637). Terra, from the Elements series.engraved after M. de Vos. Burin. Very nice proof, very small stains, a few folds of print, small tear in the lower edge. Good margins. (Hollstein 1353). 203 x 220 mm.

Charles DAVID XVIIth. A seated...

Charles DAVID XVIIth. A seated man playing the guitar. Burin. Very nice slightly yellowed impression, a few freckles, small margins. (Inventory French Fonds 92); 312 x 227 mm.

Nicolaes LAUWERS (1600- 1652)....

Nicolaes LAUWERS (1600- 1652). Saint Cecilia and three angels playing an instrument.after Gérard Seghers. Etching and chisel. Very nice proof cut to the subject with some pinched folds and stains, very little missing in the edges (Hollstein 13). 31.2...

Wenceslas HOLLAR (1607 - 1677)....

Wenceslas HOLLAR (1607 - 1677). Concerts of angels, two plates, etching. Very beautiful proofs cut in copper. (New Hollstein 851, 857). 127 x 203 mm . 125 x 204 mm

ANONYMOUS. Concert of animals and...

ANONYMOUS. Concert of animals and cartoon characters Etching in the taste of J. Kellerthaler. Very nice, slightly yellowed print, some stains, small tears in the edges, slight trace of folds. Good margins. 22.5 x 24 cm.

Johannes Van VLIET (1610 - 1668)....

Johannes Van VLIET (1610 - 1668). L'Oüie (concert), part of the Five Senses series, etching. Very nice proof, old trace of horizontal folding, tiny stains. About 5 mm margin (Hollstein 28 II/II) 240 x 200 mm.

Jean LE PAUTRE (1618 - 1682). Coronation...

Jean LE PAUTRE (1618 - 1682). Coronation of Louis XIV in Rheims: the king under the canopy holding the sceptre and the hand of justice. A series of 3 large boards. Etching and chisel. Very nice slightly yellowed proof cut to the subject (without the...

Jean BERAIN (1640 - 1711) after....

Jean BERAIN (1640 - 1711) after. Clothes of Andimion from the Ballet of the Triumph of Love - Clothes of the Nymphs ... from the Ballet of the Triumph of Love. Two pendants engraved by Dolivar, addressed to Le Pautre or E.Gantret. Etching and burin, beautiful...

John SMITH (1652 - 1742). Arabella...

John SMITH (1652 - 1742). Arabella Hunt according to G. Kneller. Mezzotinto. Very nice proof before the letter glued by the upper corners, tiny stains. Some surface rubbing. Small margins. (Catalogue BN, "Ars Nigra" exhibition, p. 66). 35 x 25, 1 c...

Matthÿs POOL (1670 - 1732). The...

Matthÿs POOL (1670 - 1732). The Daily Fashion of balaine skirts ...Etching, burin. Very nice proof, trace of vertical median fold and slight traces of folds, small stitches, freckles. Small margins added.48.3 x 56 cm.

Antoine WATTEAU (1684 - 1721) after....

Antoine WATTEAU (1684 - 1721) after. Le Concert Champêtre.engraved by Benoit II Audran. Etching and burin. Very nice proof cut under Chéreau's address and re-margined, slight thinning, small pricking. (Dacier and Vuaflart 72. 44.2 x 33.5 cm.

Jean DAULLE (1703 - 1763). This...

Jean DAULLE (1703 - 1763). This simple and naive travelling concert performance was engraved with etching by Dumont le Romain, finished with a burin by J. Daullé.Very nice proof, light stains, small margins (Inventory Fonds Français, Daullé, 34). 38.5...

Gilles DEMARTEAU (1722 - 1776)....

Gilles DEMARTEAU (1722 - 1776). Large head of woman, N° 648.according to M. Vincent. Engraving in the manner of drawing, printing with three pencils. Very nice proof cut in copper with the marks. Horizontal median fold, some traces of folds, slight tears...

Charles-Joseph FLIPART(1721 - 1797)....

Charles-Joseph FLIPART(1721 - 1797). The Dance Lesson - the Concert of Music.Two plates from the series of Scenes from Venetian Life after Longhi.etching, burin. Very nice proofs, small freckles or spots, old trace of horizontal middle fold. Small margins...

Jean - Claude RICHARD de SAINT-NON...

Jean - Claude RICHARD de SAINT-NON (1727 - 1791). An amateur concert.engraved after Gravelot. Etching, very nice proof, very slightly yellowed. A few pricks, small margins (G. 20). 27.5 x 20, 7 cm.

Augustin de SAINT AUBIN (1736 -...

Augustin de SAINT AUBIN (1736 - 1807) according to. L' Assemblée au concert.Engraved by A.J. Duclos. Etching and burin. Very nice proof before the letter. Slight handling folds, very small accidents in the edges, copper margin (cut before the plate) (Bocher...

Philibert - Louis DEBUCOURT (1755...

Philibert - Louis DEBUCOURT (1755 - 1832). The Piper. According to Carle Vernet. Aquatint with color highlights. Very nice proof very slightly yellowed at the opening of a passe-partout. Some traces of folds, tiny stains. Good margins (Fenaille 414 );...

Antoine Louis BARYE (1796 - 1875);...

Antoine Louis BARYE (1796 - 1875); Study of cats. 1836. Lithography. Very nice proof with the name of Lemercier. Restored tear in the left margin, slight thinning and small traces of folds. Good margins. (Delteil 8, III/III). 14.3 x 22 cm.

Rodolphe BRESDIN (1822 - 1885)....

Rodolphe BRESDIN (1822 - 1885). The Comedy of Death. 1854; Lithograph on white China applied on vellum. Very nice proof of the first edition with the name of the artist, the date, the title, the name of the printer and the address rue St Rome 50 in Toulouse....

Honoré DAUMIER (1808 - 1879). Souvenir...

Honoré DAUMIER (1808 - 1879). Souvenir of the great festival of the Orphéonistes, pl.1. 1859. Lithograph on thin vellum. Very nice proof with the mention "certificate of edition" signed by Destouches, 1859. Slightly yellowed, some traces of folds, small...

Henri FANTIN -LATOUR (1836 - 1904)....

Henri FANTIN -LATOUR (1836 - 1904). Evocation of Erda (1st plate). Lithograph on china bistre applied on vellum. Very nice proof signed and dedicated " to Mr Ernest Chausson ". Small freckles, slight traces of folds. Good margins. (Hédiard 20) 28.8 x...

Camille PISSARRO (1830-1903). Beggar...

Camille PISSARRO (1830-1903). Beggar on crutch. 1897. Lithography on applied china. Very beautiful and very rare proof numbered 1, from an edition of only a few copies. Slight scattered freckles, a few small folds. Good margins. (Delteil II/ II). 25.2...

Mario FORTUNY (1871 - 1949). Lover...

Mario FORTUNY (1871 - 1949). Lover of gardens. Etching. Very nice proof on china before the letter, slightly yellowed. Small margins. 27,3 x 21,5 cm. (Béraldi 11)

Raoul DUFY (1877 - 1953). Meeting...

Raoul DUFY (1877 - 1953). Meeting of 20 December 1919 (in the café). Lithograph on vellum, numbered 2/ 10, date and signature in the plate. Traces of folds, good margins. 28 x 46 cm.

Walter Richard SICKERT (1860 -...

Walter Richard SICKERT (1860 - 1942). The Old Fiedler. c.1922. Etching. Very nice signed proof. Traces of passe-partout on the good margins, a little yellowed, some slight traces of folds. Mounting strip on verso (Bromberg 202) 30.2 x 24.5 cm. Sheet:...

Henri MATISSE (1869 - 1954). Worldly...

Henri MATISSE (1869 - 1954). Worldly Cortot. 1926 Lithograph on Japan with the monogram in the plate. Very nice proof signed and dedicated numbered 14/50. Slight traces of folds and breaks, tiny stains. (M.Duthuit - Matisse, Cl. Duthuit 476). 38,5 x...

Henri MATISSE (1869 - 1954). Painful...