PAD: The French Art of Living is Back in Paris

Sixty-nine dealers, including 13 newcomers and about 10 from abroad, are participating in the 24 th PAD, which remains true to its original purpose: eclecticism. "I’ve always enjoyed mixing periods, genres and styles," says founder Patrick Perrin, feeling a bit nostalgic about the early days, when, he recalls, “an Empire commode, an African statue, a Miró painting and a 16 th -century Italian bronze could be side by side at Stéphane Custot’s stand.” In two decades, the chronological range has shrunk as a consequence of the increasing scarcity of historic pieces and changing tastes. Today, the fair, where prices range from several thousand to €300,000, focuses mainly on the second half of the 20 th and the early 21 st century. It still boasts a good reputation for the quality of its exhibitors and the care brought to its scenography while preserving its DNA thanks to the diversity of specialties. The format, unique in France, attracts art lovers, collectors, designers and interior architects, who come to sniff out trends and buy for their clients. After a two-year break, and despite an anxious international context, everyone hopes that the event will regain its aura. In any case, there is unanimous agreement that it is eagerly awaited. “Everybody thought business would taper off during…