As part of their season devoted to “textile art”, Les Abattoirs present a retrospective of Marion Baruch’s art. The exhibition brings together the artist’s past and current work, as well as the group of objects specifically designed for the nave of Les Abattoirs’ historic 19th-century building in Toulouse, France.
View of the exhibition “Marion Baruch: A Retrospective”, December 16, 2020 to September 19, 2021
© les Abattoirs, Musée - Frac Occitanie Toulouse ; photo : Damien Aspe.
It is thrillingly difficult to classify Marion Baruch’s art. Spanning from the 1960s to the present day, her prolific career runs parallel with the central artistic movements of the second half of the twentieth century: performance and body art, Post-Minimalism, appropriation, feminist and conceptual art, installation and institutional critique, to name a few. Yet, while created in dialogue with these movements, Baruch’s work is fiercely idiosyncratic. Organized in partnership with Kunstmuseum Luzern , the current retrospective at Les Abattoirs foregrounds the…
com.dsi.gazette.Article : 26240
This article is for subscribers only
You still have 85% left to read.