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Chirico's Paris

Published on , by Jean-Louis Gaillemin

While the Chirico exhibition was supposed to open on April 1 at the Orangerie, Paris under lockdown turned into a positive Chirico painting, to the delight of a few strollers and photographers.

De Chirico (1888-1978) The soothsayer's recompense, 1913, huile sur toile, 135.6... Chirico's Paris

De Chirico (1888-1978) The soothsayer's recompense, 1913, huile sur toile, 135.6 x 180 cm, Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950.

Chirico's deserted, petrified cities inevitably came to mind for those crisscrossing a Paris emptied of its inhabitants in mid-March. Free of strident traffic and swarms of pedestrians, the city appeared in a new, unreal light to the rare stray wanderers. The Soul of Cities Chirico had his first "revelation" in a city: in Florence, on the Piazza Santa Croce, a few metres from Dante's statue. "The autumnal sun, lukewarm and loveless, lit up the statue and the façade of the temple. I got the strange impression that I was seeing all these things for the first time. And the composition of a painting came to mind." This picture, Enigma of an Autumn Afternoon, was the first of a series in which the artist strove to capture the enigma of an image…
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