Gazette Drouot logo print

A Virtually Polyglot Salon du Dessin

Published on , by Céline Piettre

It took a little under thirty years for the Paris fair to achieve a perfect balance between French and foreigners. Is Paris finally polyglot?

Charles François de la Traverse (1726-1787), “Loth and His Daughters”, 1760, brown... A Virtually Polyglot Salon du Dessin
Charles François de la Traverse (1726-1787), “Loth and His Daughters”, 1760, brown ink and brown ink wash on paper, 31 x 20.4 cm.
José de la Mano gallery, Madrid.
With this 28th edition, the latter are even slightly more numerous: 21 (including four new recruits) of the 39 galleries invited. Naturally, their ranks include a large number of French-speaking participants from Belgium and above all Switzerland. Meanwhile, British and American galleries often have a historical or family connection with France. This is true of Jean-Luc Baroni Ltd (London) and Marianne Rosenberg (New York), heirs to a line of dealers that started out in Paris last century, and the perfectly bilingual Franco-American Christopher Bishop (Milford, Connecticut), making his first appearance this year. Having come to "meet European collectors who aren't necessarily keen to travel in January" (i.e. to Master Drawings in New York), he is offering a large drawing (197 x 162 cm)…
This article is for subscribers only
You still have 85% left to read.
To discover more, Subscribe
Gazette Drouot logo
Already a subscriber?
Log in